Tuesday, March 11, 2014

Update Detroit and the Art Museum

1, Detroit - Foundations Pledge $330M to Save DIA
On Monday a coalition of philanthropies and charitable foundations pledged $330 million to boost the bankrupt city of Detroit’s pension funds and to prevent the potential selling off of the collection of the Detroit Institute of Arts. U.S. Chief District Judge Gerald Rosen, the mediator in the city’s ongoing bankruptcy case, suggested that the pledge would be one component of a solution in the unprecedented municipal bankruptcy, rather than a total solution, according to the Detroit Free Press.
Meanwhile the coalition of foundations, which includes local, Michigan-based organizations as well as national philanthropic groups — including the Community Foundation for Southeast Michigan, William Davidson Foundation, Fred A. and Barbara M. Erb Family Foundation, Ford Foundation, Hudson-Webber Foundation, Kresge Foundation, John S. and James L. Knight Foundation, McGregor Fund, and Charles Stewart Mott Foundation — issued this statement regarding their pledge.
 As philanthropies with ties to Detroit and Southeastern Michigan, we share a strong commitment to the revitalization of the region.Many of us have worked for years to help rebuild the city and ensure its prosperous and sustainable future.
 For these reasons, when Chief Judge Gerald Rosen and his mediation team facilitated an opportunity for us to work together for Detroit’s future, we readily agreed.  As a diverse group of local and national philanthropies, we are pleased to contribute to what we hope will be a balanced, workable plan that will enable Detroit to emerge from bankruptcy renewed and stronger.
 The proposal we’ve been working on has one overarching goal: to enable Detroit and its citizens to focus on the task of renewing this great American city. Intended to be part of a larger, agreed-upon plan of adjustment, this plan furthers that goal in two critical ways, by helping the City honor its commitments to its retirees and preserving an extraordinary community cultural asset, the Detroit Institute of Arts.
 While we approach this matter from different perspectives, we are united in the view that the plan offers an important opportunity to help Detroit find much needed solutions to its unique challenges.

Helping to protect the hard-earned pensions of city workers while also preserving the DIA’s collection for all the people of Southeastern Michigan are worthy components of a balanced overall settlement that will help ignite Detroit’s renewal.
 Our participation in this plan is not intended to be the totality of our investment in Detroit now or in the years to come, and it does not replace our existing philanthropic commitments. The philanthropies in this working group are thinking carefully about how this proposal can complement our ongoing individual efforts in Detroit, and be part of our overall strategies for supporting Detroit and Southeastern Michigan to build a strong future.
 As foundations, we recognize the limitations of the role we can play.  But helping the leaders of this community put forward workable solutions to vexing issues is something to which we can contribute.
The foundations’ pledge is contingent on all $330 million going towards propping up the city’s badly underfunded pensions and protecting the DIA collection from being sold off to pay back the city’s creditors. According to Kevyn Orr, Detroit’s emergency manager, those city pensions may be underfunded by as much as $3.5 billion. Christie’s recent valuation of the DIA collection pegged it at between $454-867 million.

http://blogs.artinfo.com/artintheair/2014/01/13/foundations-pledge-330m-to-save-dia/?utm_source=BLOUIN+ARTINFO+Newsletters&utm_campaign=b9f0faf999-Daily+Digest+1.14.14&utm_medium=email&utm_term=0_df23dbd3c6-b9f0faf999-83005727

2. Detroit - Debt Proposal Favors Pension Funds
Rate to Resolve Obligations Would Be Roughly Double That of Bondholders

By
Matthew Dolan Wall Street Journal
Updated Jan. 30, 2014 8:18 p.m. ET
DETROIT—This bankrupt city is proposing to favor pension funds at roughly double the rate of bondholders to resolve an estimated $18 billion in long-term obligations, according to a draft of a debt-cutting plan reviewed by The Wall Street Journal.
The plan's balance-sheet projections show the base scenario designed by the city calls for $4.2 billion to be divvied up among the city's unsecured creditors, including some bondholders and the city's pension funds. The pot of money would be divided to allow Detroit's two municipal pension funds to recover more than 40% of the money the city says they are owed. In contrast, less than 20% of the money owed to unsecured bondholders would be paid.
If the city completes a deal to lease its water and sewerage department to a new regional authority with its suburbs, the recovery for pension funds and bondholders would grow slightly. Leasing the water department would bring about $339 million to the city, according to the plan.
In its July municipal bankruptcy filing, the largest such case in the nation's history,, the city reported about $11 billion in unsecured debt, including $6 billion in health and other benefits for retirees; $3.5 billion for retiree pensions; and about $530 million in general-obligation bonds. City officials said at the time it would have about $2 billion to resolve those obligations.
It was unclear from the plan reviewed by the Journal whether the city is using all of the same estimates for the money owed to unsecured creditors in its draft plan. A person familiar with the draft plan said the recovery rate for the pension funds could end lower than the balance sheet shows.
Details of the plan sent to creditors on Wednesday have been kept under wraps as the city and its debtholders continue to talk in closed-door mediation. The city sent its working draft to creditors in the hopes that the plan with a richer payout might spur some of them to settle with the city individually or, in the least, offer their own suggestions toward modifying the overall proposal, according to another person familiar with the matter.
So far, the plan which is considered to be a rough draft,doesn't include any major settlements with the city's creditors. But it could be more welcome news for unions and pension funds if they agree to settle.
The proposal appears to bake in pledges from the state and private groups for more than $800 million to save Detroit's art collection and help pay off the city's pension obligations. The city, however, is still speaking with debtholders, unions and pension funds, seeking their agreement, which is required by the state and foundations. Detroit's suburbs are also balking over paying to move the city-owned water system into a regional authority they would help control.
The formal plan is expected to be filed in federal court in Detroit within two weeks, officials said. Creditors will vote on the plan, but the final decision rests with the court.
"The proposed plan provides the road map for all parties to resolve all outstanding issues and facilitate the city's efforts to achieve long-term financial health," Detroit Emergency Manager Kevyn Orr said in a statement Wednesday. Mr. Orr's spokesman declined Thursday to comment on the plan's details. Several creditors, who were opposed to the city's early plans to offer creditors, including bondholders and pension funds, less than 20 cents on the dollars owed to them, also declined to comment.
The plan could be key for more than 20,000 on city pensions after U.S. Bankruptcy Judge Steven Rhodes ruled pensions aren't entitled to special protection from potential cuts, despite a Michigan state constitutional provision aimed at shielding pensions. Unions and pension funds argued the pensions essentially were untouchable and have appealed the judge's ruling.
Write to Matthew Dolan at
matthew.dolan@wsj.com
http://online.wsj.com/news/article_email/SB10001424052702304428004579353451973478672-lMyQjAxMTA0MDMwMTEzNDEyWj

 3. DETROIT, MICH.- As an anchor and investor in Detroit’s Midtown neighborhood, an educational resource for students and residents of Detroit, the tri-county area and all of Michigan and a provider of creative programs for numerous social service and community organizations in the City of Detroit and beyond, the Detroit Institute of Arts confirmed its participation in the plan being facilitated by Judge Gerald Rosen, Chief Judge of the U.S. District Court for the Eastern District of Michigan, to help bring an end to the City’s bankruptcy, expand support for Detroit’s pensioners and protect the museum’s collection for the public in perpetuity. Today, the DIA’s Board of Directors approved a commitment by the DIA to raise $100 million from corporate and individual donors toward these efforts. The DIA joins the foundation community ($370 million) and the State of Michigan ($350 million) in support of Chief Judge Rosen’s plan to benefit the people of Detroit and the State. “The DIA’s management and volunteer leadership forthrightly agreed to accept this challenge, despite its difficulty and the many other fundraising commitments the museum manages annually,” said Eugene A. Gargaro, Jr., chairman of the DIA Board of Directors. “We are hopeful this agreement will allow Detroit’s bankruptcy to move forward smoothly as we all work toward a brighter and better future for Detroit.” None of the funds raised by the DIA will directly benefit the DIA. The funds will be directed to a third party, which will disburse the funds for pension payments. As part of the agreement, the City of Detroit will transfer to the DIA free and clear legal title to the museum building, the art collection and all related assets. The DIA will continue to operate the museum with funds raised from its current donor base and from the tri-county millage. “It’s important to note that the DIA is not in bankruptcy, in fact it is functioning extraordinarily well. And, while this new challenge will stretch our fundraising abilities to their capacity, the DIA will continue to provide the residents of Detroit and Michigan with amazing art and exciting programs,” Gargaro said. “The DIA has consistently met its financial challenges and goals and will meet this challenge with enthusiasm and confidence.” The DIA will focus its initial fundraising efforts on Detroit’s corporate community. DIA leadership has compiled a list of initial prospects, finalized support materials, and held several preliminary conversations with interested donors. Details of the overall agreement are still in negotiation, but the DIA is moving forward with fundraising as those talks continue. “The mediators are deeply appreciative of the DIA’s decision to step forward in such a significant way as a partner in this effort to help protect pensions of Detroit’s retirees and safeguard for our City, region and State the DIA’s treasured art collection,” said Chief Judge Rosen. “We all recognize the magnitude of this great undertaking and appreciate the depth of the DIA’s commitment to the City of Detroit and its retirees. As the mediation team continues to work toward a complete, fair and balanced agreed-upon Plan of Adjustment, the DIA’s significant undertaking will play an important role in our efforts.”
  http://artdaily.com/news/67821/Facilitated-by-judge--Detroit-Institute-of-Arts-to-raise--100-million-toward-Detroit-s-revitalization-#.UxTX24WwU2E[/url]

4. BANKRUPT DETROIT: Continuing coverage Update:
http://www.detroitnews.com/article/99999999/METRO01/130718001&template=theme&theme=DETROIT-BANKRUPTCY

    • 10:42 AM, Mar. 11, 2014
    • METRO AND STATE
    • Wayne County

    Deal reached to protect retiree committee in Detroit bankruptcy case

    The city's lawyers today announced they have reached a deal that will protect members of a retiree committee from lawsuits associated with Detroit's bankruptcy case.
    • 12:21 AM, Mar. 6, 2014
    • METRO AND STATE
    • Wayne County

    Detroit seeks quick trial on debt deal with banks

    The city wants a quickie trial over whether a judge should approve an $85M settlement with banks involved in a pension-related debt deal blamed for helping push Detroit into bankruptcy.
    • 11:49 AM, Mar. 5, 2014
    • METRO AND STATE
    • Wayne County

    Detroit bankruptcy judge criticizes liability insurance plan

    U.S. Bankruptcy Judge Steven Rhodes had harsh words Wednesday for attorneys fighting for a lofty insurance policy to protect members of a retiree committee from legal backlash associated with Detroit's Chapter 9 case.
    • 12:54 AM, Mar. 4, 2014
    • METRO AND STATE
    • Wayne County

    Cost-of-living increases sticking point in pension mediation talks

    A proposed freeze in cost-of-living increases is emerging as a major sticking point, as city retirees resume negotiations with Detroit today for the first time since it released its debt-cutting plan last month.
    • 12:06 AM, Mar. 4, 2014
    • METRO AND STATE
    • Wayne County

    New debt deal could save Detroit $201 million

    The city revealed a third settlement with two banks Monday that would end a disastrous pension debt deal blamed for plunging Detroit into bankruptcy.
    • 11:18 AM, Mar. 1, 2014
    • METRO AND STATE
    • Wayne County

    Detroit bond insurer vows fight over DIA art, water department

    A bond insurer Friday vowed Detroit faces a long legal fight over the fate of its valuable art collection and pushed for a private sale of the city's other key asset, the water department.
    • 11:34 PM, Feb. 27, 2014
    • METRO AND STATE
    • Wayne County

    Duggan's bid to cut Detroit auto insurance rates faces tough climb, industry insider warns

    Mayor Mike Duggan wants to keep a campaign promise to tackle the city's high auto insurance rates by creating a city insurance company — an effort that is receiving some sympathy from a state industry official.
    • 3:56 PM, Feb. 27, 2014
    • METRO AND STATE
    • Wayne County

    Chicago will avoid Detroit's bankruptcy fate, rating agency predicts

    Good news for Chicago: A major credit rating agency says the Windy City shouldn't face the same fate Detroit suffered.
    • 5:36 PM, Feb. 25, 2014
    • METRO AND STATE
    • Wayne County

    Bankruptcy judge won't delay Detroit debt-cutting plan

    The city's bankruptcy judge on Tuesday refused to delay the process of approving Detroit's debt-cutting plan, arguing the city would run out of cash if it takes too long.
    • 5:46 PM, Feb. 24, 2014
    • METRO AND STATE
    • Wayne County

    Detroit public safety union leaders say pension cuts 'crippling,' 'unacceptable'

    Officials with Detroit's public safety unions on Monday blasted the city's 'brutal and unreasonable' plan to cut pensions as it aims to shed about half of its estimated $18 billion in debt.
    • 7:33 PM, Feb. 24, 2014
    • METRO AND STATE
    • Wayne County

    Judge sets June trial date for Detroit bankruptcy plan

    The city's bankruptcy judge today set a June 16 trial date for Detroit to prove it can accomplish a plan to shed debt and end the municipal bankruptcy case.
    • 11:37 PM, Feb. 23, 2014
    • METRO AND STATE
    • Wayne County

    Bankruptcy exit plan explores collecting taxes from residents working outside Detroit

    Emergency Manager Kevyn Orr's restructuring plan released Friday includes a plan to try and collect income taxes from Detroit residents who work outside the city limits.
    • 11:12 PM, Feb. 22, 2014
    • METRO AND STATE
    • Wayne County

    Detroit bankruptcy proposal leaves pensioners angry, confused

    When Albert Jackson was hired as a garbage collector for the City of Detroit in 1980, Mayor Coleman Young was working on a plan to save money.
    • 9:34 PM, Feb. 21, 2014
    • BUSINESS

    Plan for DIA rescues both art and Detroit retirees

    The proposed cuts to Detroit pensioners, the real people most affected by the city's historic bankruptcy, aren't what Emergency Manager Kevyn Orr proposed back in June.
    • 5:48 PM, Feb. 21, 2014
    • METRO AND STATE
    • Wayne County

    Bankruptcy exit plan riles Detroit retirees

    Many Detroit retirees are riled at the plan to cut city pensions of nearly 35% for general general retirees and 10% for police and fire members.
    • 10:02 AM, Feb. 22, 2014
    • METRO AND STATE
    • Wayne County

    Detroit plans $1.5B in capital improvements, looks at leasing airport and parking

    Emergency Manager Kevyn Orr plans to infuse $1.5 billion in capital improvements into Detroit during the next decade while looking to sell or lease some of its ...
    • 9:48 AM, Feb. 22, 2014
    • METRO AND STATE
    • Wayne County

    Detroit bankruptcy exit plan: Pension cuts, millions for blight

    The city wants to slash monthly pensions for general retirees 34 percent while retired cops and firefighters would see their pensions cut 10 percent under a ...
    • 11:38 PM, Feb. 21, 2014
    • METRO AND STATE
    • Wayne County

    Orr: Detroit closer to regional water, sewer system

    Detroit's plan of adjustment calls for allowing the city to form a new agency named the Great Lakes Water and Sewer Authority to take over the Detroit Water ...
    • 6:36 PM, Feb. 21, 2014
    • METRO AND STATE
    • Wayne County

    Detroit pension funds can file direct appeal of bankruptcy

    The city's pension funds and others were granted permission Friday to file a direct appeal of the city's bankruptcy. The U.S. 6th Circuit Court of Appeals ...
    • 3:59 PM, Feb. 21, 2014
    • METRO AND STATE
    • Wayne County

    Detroit plan of adjustment gives bondholders 80% cut

    The bankruptcy plan of adjustmentgives unsecured creditors holding Detroit's general obligation bonds an unprecedented cut of 80%, offering just $33 million ...
    • 12:24 PM, Feb. 21, 2014
    • METRO AND STATE
    • Wayne County

    Where does Detroit's Chapter 9 go from here?

    The city's plan of adjustment represents seven months of behind-the-scenes planning and negotiating with creditors that could result in contentious courtroom ...
  1. Detroit filing backs DIA rescue plan

    The proposed $815 million rescue plan for the Detroit Institute of Arts and the city's beleaguered pensioners won endorsement Friday in the city's Plan of ...
    • 2:37 PM, Feb. 21, 2014
    • METRO AND STATE
    • Wayne County

    Orr addresses Detroit bankruptcy exit plan

    Emergency Manager Kevyn Orr discussed the city’s Plan of Adjustment and related disclosure statement in Pennsylvania.
  2. Timeline: The road to Detroit's bankruptcy

    March 2011: Michigan's Public Act 4 emergency manager law takes effect, giving state-appointed overseers of financially troubled cities the power to tear up ...
    • 8:27 AM, Feb. 21, 2014
    • METRO AND STATE
    • Wayne County

    Creditors brace for landmark Detroit debt plan

    The office of Detroit's state-appointed emergency manager Kevyn Orr says the proposal for the city's restructuring through and after bankruptcy is expected to ...
    • 3:37 PM, Feb. 19, 2014
    • METRO AND STATE
    • Wayne County

    Detroit reaches new deal to settle pension debt

    The city reached a new settlement with two banks to end a troubled pension debt deal Friday and will try to seek approval from a bankruptcy judge who rejected ...
    • 5:30 PM, Feb. 19, 2014
    • METRO AND STATE
    • Wayne County

    Judge expects to rule on bondholder payments in a few weeks, urges negotiations

    U.S. Bankruptcy Judge Steven Rhodes said Wednesday he'll issue a crucial decision in two to three weeks about whether general obligation bondholders are ...
    • 2:44 PM, Feb. 19, 2014
    • METRO AND STATE
    • Wayne County

    Judge questions need for new team of lawyers in Detroit bankruptcy case

    The city's bankruptcy judge today questioned the need for a new team of high-cost attorneys to get involved in the city's seven-month-old Chapter 9 case.
    • 4:37 PM, Feb. 18, 2014
    • METRO AND STATE
    • Wayne County

    Detroit's operating officer 'hoping' debt-cutting plan will be filed as early as Wednesday

    Detroit The city's chief operating officer suggested Tuesday that Detroit may file its debt-cutting plan of adjustment Wednesday in federal bankruptcy court, but later ...
    • 11:17 PM, Feb. 17, 2014
    • METRO AND STATE
    • Wayne County

    After rocky start, Orr, Duggan learn to trust each other as they run Detroit

    They call it a work in progress, but Emergency Manager Kevyn Orr and Mayor Mike Duggan appear to be forging a solid working relationship as they try to improve ...
    • 12:07 AM, Feb. 14, 2014
    • METRO AND STATE
    • Wayne County

    Detroit retirees, banks fight for assets

    Detroit's historic bankruptcy has evolved into a populist fight between retirees and banks, as the city prepares to unveil a critical plan next week to shed ...
    • 11:25 PM, Feb. 12, 2014
    • METRO AND STATE
    • Wayne County

    Detroit retirees face Saturday deadline for health insurance decision

    Detroit retirees younger than 65 or not eligible for Medicare face a Saturday deadline to enroll in a private insurance plan to avoid a disruption in coverage ...
    • 11:31 AM, Feb. 11, 2014
    • METRO AND STATE
    • Wayne County

    White House aide: Detroit bailout wasn't 'viable'

    The White House ruled out a bailout for bankrupt Detroit because it wasn't politically possible, a senior Obama administration official said today.
    • 10:37 AM, Feb. 10, 2014
    • METRO AND STATE
    • Wayne County

    Attorney: Detroit to file bankruptcy debt-cutting plan next week

    One of Detroit's lead bankruptcy attorneys said today the city plans to file its debt-cutting reorganization next week.
    • 6:51 PM, Feb. 3, 2014
    • METRO AND STATE
    • Wayne County

    Detroit asks bankruptcy judge to disband creditor committee

    The city of Detroit wants a U.S. bankruptcy judge to disband a committee appointed to represent unsecured creditors, saying it could disrupt mediation talks.
    • 7:47 PM, Jan. 31, 2014
    • METRO AND STATE
    • Wayne County

    Detroit wins retiree health care concessions; barriers to water deal remain

    Detroit The suburbs would control a new regional water system and pay $1.88 billion for the privilege under Detroit's preliminary debt-cutting plan for exiting ...
    • 8:15 PM, Jan. 31, 2014
    • METRO AND STATE
    • Wayne County

    Proposed deal reached over Detroit retiree health care

    The city's bankruptcy mediators announced a proposed deal between the city and retiree groups to resolve a fight over steep cuts to retiree health care.
    • 10:25 AM, Jan. 23, 2014
    • BUSINESS

    Snyder's pledge means others must deliver

    Gov. Rick Snyder's pledge of $350 million to bolster Detroit pensions and rescue the Detroit Institute of Arts from creditors ups the pressure on the museum — ...
    • 11:32 PM, Jan. 22, 2014
    • METRO AND STATE
    • Wayne County

    Judge denies 2nd DIA appraisal, delays health care decision

    U.S. Bankruptcy Judge Steven Rhodes on Wednesday refused to establish a creditor art committee to reappraise the DIA collection and put off a decision on a ...
    • 11:37 PM, Jan. 22, 2014
    • METRO AND STATE
    • Wayne County

    Snyder's plan to protect DIA, pensions may be tough sell

    Gov. Rick Snyder's plan to pour $350 million into Detroit's ailing pension funds over two decades got a wary reception Wednesday among some lawmakers worried ...
    • 10:17 PM, Jan. 21, 2014
    • BUSINESS

    DIA pressed to augment funding role in fix

    Officially, Gov. Rick Snyder won't talk about his plan to pump $350 million public dollars over 20 years into a foundation-led fund to spare the Detroit ...
    • 5:13 PM, Jan. 17, 2014
    • METRO AND STATE
    • Wayne County

    Bond insurer seeks to block Detroit from closing on $120M loan

    A bond insurer wants to block Detroit from closing on a $120 million loan that would pay for public safety and computer upgrades, arguing that a loan backed by ...
    • 11:12 PM, Jan. 16, 2014
    • METRO AND STATE
    • Wayne County

    Judge: Detroit debt deal too costly

    Detroit A federal judge on Thursday said he would not let Detroit continue to make bad financial decisions, rejecting a proposed $165 million settlement with two banks ...
    • 11:29 AM, Jan. 17, 2014
    • METRO AND STATE
    • Wayne County

    DIA may be expected to raise $100M to protect its art, rescue pensions

    The Detroit Institute of Arts likely will be expected to bolster a fund that would supplement city pensions and protect its art from a bankruptcy-induced sale, ...
    • 11:50 PM, Jan. 16, 2014
    • METRO AND STATE
    • Wayne County

    White House's Detroit adviser says blight removal to ramp up

    White House point person on Detroit said he expects federally funded blight removal in Michigan's largest city will ramp up in earnest this spring.
    • 5:00 PM, Jan. 15, 2014
    • METRO AND STATE
    • Wayne County

    Detroit pension board hears pitch to use DIA works to raise capital

    An Illinois finance scholar today urged a city pension fund to push Detroit's emergency manager to solicit competing plans that could preserve the city's ...
    • 5:44 PM, Jan. 15, 2014
    • METRO AND STATE
    • Wayne County

    State's legal bills continue to mount in Detroit bankruptcy

    Lansing The state of Michigan's legal bills in Detroit's bankruptcy continue to mount as a team of private attorneys has already exceeded its initial contract budget.
    • 6:42 PM, Jan. 13, 2014
    • METRO AND STATE
    • Wayne County

    Private groups donate $330M as effort to preserve DIA art builds

    Detroit National and local foundations have pledged more than $330 million to a fund to protect city-owned art at the Detroit Institute of Arts from being auctioned ...
    • 5:01 PM, Jan. 13, 2014
    • METRO AND STATE
    • Wayne County

    Judge to rule Thursday on Detroit's $165M swaps deal

    A $165 million agreement is extremely beneficial to Detroit and the lowest amount Merrill Lynch was willing to accept to terminate a troubled pension debt deal ...
    • 12:43 PM, Jan. 9, 2014
    • METRO AND STATE
    • Wayne County

    Detroit pension funds push for expedited bankruptcy appeal

    Detroit's pension funds continued to push this week for an expedited appeal of the city's bankruptcy eligibility and ability to slash pensions while ...

Art Market Winter 2014

1. NEW YORK - Sotheby’s 2013 Sales $6.3bn; $1.2bn in Private Sales
Consolidated Sales Grew by 17% in 2013 to Reach $6.3 Billion, the Highest Total in Company History
Private Sales Grew by 30% in 2013 and Achieved Nearly $1.2 Billion, the Highest Total in Company History
Fourth Quarter Net Income Increases 37% Over Previous Year
Profitability Increased 20% in 2013

Private Sales Reach New Heights
• Multiple private sales in excess of $50 million each, held in a range of collecting categories, enabled Sotheby’s to achieve a record total of $1.18 billion in 2013
• Sotheby’s opened three new spaces dedicated to private sales in 2013: A second S2 gallery in London, as well as additional galleries in New York and London

Client Engagement is Happening Across Sotheby’s:
• The number of clients who purchased works privately with Sotheby’s in 2013 increased 18%, reaching a record level of participation
• The number of successful purchases through Sotheby’s BidNow program increased 36% in 2013

Client Base Continued to Expand in Key Areas of the Market:
• Impressionist & Modern Art (22% Increase in Number of Buyers) and Contemporary Art (23% Increase in Number of Buyers)
• The Number of Clients from Asia Participating in Sotheby’s Worldwide Auctions Increased 24%
http://www.artmarketmonitor.com/2014/02/27/sothebys-2013-sales-6-3bn-1-2bn-in-private-sales/?utm_source=rss&utm_medium=rss&utm_campaign=sothebys-2013-sales-6-3bn-1-2bn-in-private-sales>

 2. CHINA - How Rich Chinese Use Art to Move Money Abroad - Following a recent report in The Art Newspaper on an academic study of the discrepancy between import and export values of works of art leaving and entering China, CNN takes a broad look at the ways in which the international art trade is being used by wealth Chinese to export capital. The art market is useful vehicle for these capital transfers because it regularly makes cross-border all-cash transactions in objects that have “fuzzy” value and opaque ownership.
What’s especially significant about the report is the way in which the global art trade infrastructure must be complicit in this activity.
The rush of money out of the country is taking place in spite of Beijing’s strict capital controls — which limit the amount of money an individual can move out of China to $50,000 per year. […]
Here’s how it works: Rich Chinese purchase a piece of art in mainland China, then sell it at a hefty price across the border. The profits — in foreign currency — are then pocketed.
Another method is to buy artwork from outside China — often at an inflated price from an associate. The associate, who’s in cahoots, takes a cut and then deposits the remaining payment in an offshore bank account of the buyer’s choosing. If the authorities come knocking, it’s easy for the buyer to produce a receipt and the art — even if it was fabricated for the laundering scheme. […]
That makes it difficult for anyone reviewing purchases, including the Chinese government, to accuse a buyer of over-paying, said Steve Dickinson, a China-based lawyer with Harris & Moure.
“It’s just beautiful, because no one can challenge you on the prices,” he said. “It could be five bucks; it could be 50 million bucks.”
3. NEW YORK The (Auction) House Doesn’t Always Win
Christie’s and Sotheby’s Woo Big Sellers With a Cut
By GRAHAM BOWLEYJAN. 15, 2014
When Christie’s sold Jeff Koons’s “Balloon Dog (Orange)” for $58.4 million in November, it seemed as if the auction house had just earned a pretty penny.
After all, Christie’s, like other auction houses, typically charge commissions to buyers and sellers, which for high-priced works might be an eighth to a quarter of the gavel price.
But the owner of the work, the newsprint magnate Peter M. Brant, said Christie’s certainly made no money from him. To secure his business, the house waived the seller’s commission, he said, and then, as a sweetener, gave him a large share of the buyer’s fees.
“I was not required to give them anything from the buyer’s commission until it reached a certain price — which it did not make,” Mr. Brant said in an interview, rather wistfully, since he was hoping for a higher price.

Factor in Christie’s other costs — buying insurance and newspaper ads, publishing glossy catalogs, moving the towering Balloon Dog to its Rockefeller Center headquarters, where it was parked outside for gawking — and the possibility of making lots of money seems to be limited.
   “Balloon Dog (Orange)” at Christie’s last fall. Its seller says
Christie’s made no money from him. Credit Don Emmert/Agence France-Presse — Getty Images 
Christie’s would not comment on this, or any individual, sale. But Mr. Brant is not alone in his bargaining, and far from alone in noting that even as bidding prices go ever higher, the auction houses’ cut is rapidly shrinking.
Caught in a scramble to outmaneuver their competitors for the top works and market share, the major auction houses have increasingly offered all kinds of financial incentives to lure the top consignments — essentially giving away a big share of their commissions for the privilege of selling someone’s art.
“The process of consigning artwork to the major auction houses today is like buying an airplane ticket, and just as opaque,” said Thomas C. Danziger, an art market lawyer. “You never really know how much the guy in the seat next to you at the auction — or on your flight — has paid for the same ride.”
In this game, the biggest collectors receive the best deals, which, several in the industry said, has led to an auction house paradox: The pricier the artwork, the lower the profit margin.
That has not stopped the main houses — including Sotheby’s, Christie’s and Phillips — from doggedly pursuing a small clutch of millionaires and their art collections. The sales fuel splashy headlines and perhaps rope in other sellers. But these companies may also be repeating tactics that got them into trouble five years ago, when an art market bubble collapsed with the financial crisis, analysts and industry experts said.
The auction houses deny that they are trimming profits with givebacks or putting themselves at financial risk. Christie’s may have reaped little from the 10-foot-high “Balloon Dog,” but it made money on the whole night, in part because the sculpture’s presence helped attract other sellers.
“The evening sales are immensely profitable,” said Christie’s chief executive, Steven P. Murphy. “Yes, the margins on the top lots are much thinner than the middle market. But sometimes, volume makes up for that. A thin margin on a $50 million lot is still a profit.”
   Andy Warhol’s “Silver Car Crash (Double Disaster)” at auction at Sotheby’s in November. It fetched $104.5 million. Credit Andrew Burton/Getty Images 
But the activist hedge-fund investor Daniel S. Loeb, who announced last year that he had bought a 9.2 percent stake in Sotheby’s, has called for the ouster of William F. Ruprecht, its longtime chief executive for, among other things, giving up profits.
In a public letter to Mr. Ruprecht, Mr. Loeb wrote, “It has been Sotheby’s who has most aggressively competed on margin, often by rebating all of the seller’s commission and, in certain instances, much of the buyer’s premium to consignors of contested works.”
In an interview, Mr. Ruprecht said it is impossible to compare Sotheby’s, a publicly traded company that releases audited results quarterly, with other houses, which are privately held. Christie’s is owned by François Pinault, the French luxury-goods magnate, while Phillips’s owner is the Russian company Mercury Group. And Mr. Ruprecht told analysts that an increase in the buyer’s fee last year had helped stabilize its business. Some analysts agree that conditions may get easier, if rising prices tempt reluctant sellers off the sidelines even without discounted fees.
The competition is fierce, in part because the number of elite collectors is small. According to Christie’s, about 150 collectors worldwide can buy a painting for more than $20 million.
“It is small but it is growing,” said Mr. Murphy, whose company has been seeking to expand the number of collectors in countries like China and India.
Typically, a seller might pay about 10 percent commission on a $100,000 artwork. A buyer would pay about 25 percent. But for some works of art — commonly those worth $1 million or above — sellers don’t usually pay anything. more....
http://www.nytimes.com/2014/01/16/arts/design/christies-and-sothebys-woo-big-sellers-with-a-cut.html?_r=0
 
 

Repatriation Winter 2014

1. King Croesus's golden brooch to be returned to Turkey
Lydian Hoard treasure in shape of winged seahorse, sold to pay gambling debts and replaced with a fake, to be taken home
The original, left, and the fake golden brooch in the shape of a winged seahorse from the Lydian Hoard in Turkey.
For thousands of years it lay underground, part of the buried treasure of the legendarily wealthy King Croesus. But since being illegally excavated in the 1960s, it has been stolen, replaced by a fake, sold to pay off gambling debts and has allegedly brought down a curse on its plunderers.
Now the 2,500-year-old golden brooch is to be returned home to Turkey, where it will be given a special place in a new national museum.
The Turkish culture minister, Ertugrul Günay, has announced that German officials have agreed to return the missing artefact, a brooch in the form of a winged seahorse, possibly as early as this year.
The brooch is part of the Lydian Hoard, known in Turkey as the Karun Treasure, which was looted from iron-age burial mounds in western Turkey in 1965. The artefacts were sold on, eventually to be exhibited in the New York Metropolitan Museum of Art in the 1980s.
After a six-year legal battle that reportedly cost Turkey £25m, it was repatriated in 1993 and went on display in the Usak museum. But in 2006, after an anonymous tipoff, the brooch on show was discovered to be a fake, with the original missing again.
After an investigation the director of the museum, Kazim Akbiyikoglu, who had been instrumental in recovering the artefacts from the US, was arrested with 10 others. Akbiyikoglu admitted selling museum treasures to pay off gambling debts and was jailed for 13 years. He blamed his misfortune on an ancient curse said to afflict those who handle the treasure.
Popular rumour has it that all seven men involved in the illegal digs of the burial mounds died violent deaths or suffered great misfortune.
Although the details of the brooch's latest recovery are unclear, Turkish officials are delighted. "I am very happy to hear that the piece will finally return home," said a culture and tourism official, Serif Aritürk, who is responsible for the museum in Usak. "Since I was in office in 2005 and 2006 I felt personally responsible for the theft ; our directorate came under a lot of pressure." He added that he had never doubted the brooch would reappear. "No collector would have dared to acquire such a well-known artefact, it was clear that the thieves would not find a buyer easily."
Journalist and archaeology expert Ömer Erbil, who investigated the brooch's theft in 2006, agreed: "For the past three years the ministry of culture has exerted great pressure to retrieve stolen artefacts from Turkey. Museums and collectors are increasingly hesitant to buy them. It is partly due to the ministry's efforts that we were able to find the brooch relatively fast," he said.
Turkey has recently launched what some call "an art war" to repatriate antiquities from museums around the world that it says were stolen and smuggled out of the country illegally. According to official numbers, 885 artefacts were returned in 2011 alone.
Critics argue that foreign museums helped to preserve countless historical treasures from destruction or theft.
However, according to Erbil, the 2006 heist marked a crucial turn: "Attitudes to cultural treasures and museums underwent a revolutionary change in Turkey. The ministry of culture works relentlessly to protect artefacts and to make sure that they are properly and safely displayed."
The Archaeological Museum in Usak is only able to display 2,000 of its 41,600 historical objects. A larger museum, to open in December 2013, is being built to house the 450 pieces of the Lydian collection in its entirety. With the retrieval of the hippocamp brooch, Aritürk hopes the treasure's curse has finally been lifted. "The piece will receive a place of honour in the new museum. Once it returns home, I am sure tourists and those that appreciate history and art will follow."
Pasted from <http://www.theguardian.com/world/2012/nov/25/king-croesus-treasure-returning-turkey>

2.
2. BERLIN -Son of Nazi-era Art Dealer Signals Readiness to Discuss Restitution
Lawyer Says Willing to Negotiate on Looted Pieces in U-Turn From Previous Stance
By
Mary M. Lane
Jan. 24, 2014 5:49 p.m. ET
The son of a Nazi-era art dealer whose vast trove of art has been in legal limbo since it was seized by German prosecutors two years ago has for the first time signaled his willingness to return pieces that may have been looted from Jews.
"We want to take responsibility," Hannes Hartung, a lawyer representing the son, Cornelius Gurlitt, told The Wall Street Journal on Friday.
'Woman with a Fan,' a 1923 Matisse oil painting, is considered the showpiece out of 1,400 works seized in 2012 from a Munich apartment. Paul Rosenberg Archive
While the willingness to negotiate marks a sharp change in Mr. Gurlitt's previous refusal to consider any returns, the potential for continued clashes with families seeking restitution appeared far from over.
Mr. Hartung said that out of the more than 1,400 pieces in the collection, "very few" could be characterized as looted. German officials have said previously that the figure could reach into the hundreds.
"There are very few cases that could even possibly be looted art," Mr. Hartung said in a telephone interview. "But we are trying hard to find fair solutions for looted works in accordance with the Washington Principles," he said, referring to international guidelines that Germany signed in 1998.
The reclusive Mr. Gurlitt told the German weekly Der Spiegel in November, shortly after the existence of his art trove was revealed publicly, that he wouldn't return anything. "I will not speak with them, and I won't freely give anything back, no, no," he was quoted as saying, referring to the heirs of past owners.
Mr. Gurlitt didn't have a lawyer at the time, and has not spoken publicly since. Mr. Hartung, who signed on in December, acknowledged that his client had been opposed to restitution, but didn't elaborate on why he had shifted his position.
Under German law, any sale between 1933 and 1945 from a Jew to a non-Jew is considered to have been made under duress unless it can be proved that the purchaser paid a fair market price and wasn't affiliated with the Nazis.
A government-appointed task force is researching the provenance of around 500 in the Gurlitt collection that might fall under the scope of that law, but it has no power to require restitution. Because the statute of limitations has expired, Mr. Gurlitt isn't compelled to return any looted artworks.
Meanwhile, lawyers for some claimants have raised concerns that improper storage could be impairing the value of the pieces, which were confiscated by Bavarian authorities in early 2012 from Mr. Gurlitt's Munich apartment.
Because of these and other concerns, the lawyers said they decided to approach Mr. Hartung instead of further lobbying the German government to intervene.
One of them is Christopher Marinello, a lawyer representing the family of the late French art dealer Paul Rosenberg, whose collection was largely lost to Nazi plundering.
"Anything short of complete restitution without monetary compensation will be unacceptable to the Rosenberg family," Mr. Marinello said.
One of the paintings that belonged to Mr. Rosenberg, "Woman with a Fan," a 1923 oil on canvas by Henri Matisse, is the showpiece of the Gurlitt collection. Nazi party records show that it was taken in a Nazi-authorized raid on a bank vault in southwestern France.
Jörg Rosbach, a lawyer representing another family with a claim to a Max Liebermann painting, said he also approached Mr. Gurlitt's legal team.
Private dealers value the Matisse at around $6 million to $8 million, a figure that they say could rise to $20 million at auction, given the attention caused by the Gurlitt case. If in good condition, the Liebermann painting, "Two Riders on the Beach," could fetch or eclipse the artist's record of $3.8 million.
Yet hopes for such prices would be shattered if the paintings were damaged.
Mr. Gurlitt's collection consists of works on paper and oil paintings, which can deteriorate if not stored under appropriate temperature and humidity conditions. The works on paper must be wrapped individually in sterile tissue paper away from sunlight, according to David Lewis, an art historian and founder of the Commission for Looted Art in Europe, a nonprofit research center in London.
A spokesman for the Augsburg prosecutor's office, which handles Mr. Gurlitt's case, said the works were "not in a basement." He said they weren't exposed to direct sunlight and the storage area was temperature-controlled.
Mr. Gurlitt, who kept the work hidden in his apartment for decades, didn't store them under museum-standard conditions.
The Matisse is particularly vulnerable: Photos taken by German authorities show that the painting, unlike the Liebermann, isn't on a stretcher, the wooden frame that artists wrap canvas over to prevent paint from peeling or buckling, says Mr. Lewis.
Mr. Marinello wrote to the prosecutor's office on Monday requesting that the work be stretched and asking whether it was being properly stored.
His request was forwarded to Ingeborg Berggreen-Merkel, a respected academic and the head of a task force appointed by the prosecutor to determine the art's provenance. Ms. Berggreen-Merkel promised to respond within a few days, Mr. Marinello said.
A spokesman for Ms. Berggreen-Merkel didn't respond to requests for comment. The prosecutor's office declined to comment on specific works of art. Germany's Culture Ministry didn't respond to emails and calls requesting comment.
"It is possible everything has been properly stored, but then why wouldn't the prosecutor's office or task force just say that?" says Mr. Marinello.
Bavarian authorities confiscated the art from Mr. Gurlitt, now 81 years old, in early 2012 as part of a tax investigation.
They didn't disclose the find publicly, in violation of the Washington Principles, until the German magazine "Focus" reported on the find in November. The delay was criticized by art experts and U.S. and Israeli officials.
German authorities said they were constrained by confidentiality rules surrounding the tax case, and noted that the principles aren't legally binding.
Write to Mary M. Lane at mary.lane@wsj.com
http://online.wsj.com/news/article_email/SB10001424052702303448204579340922947502270-lMyQjAxMTA0MDIwNTEyNDUyWj


3. NAGPRA - Your Government at Work Winter 2014
Many of you may not be aware of how a NAPRA claim works. Now you do ..printed in full below. It would be fascinating to know exactly the cost of this procedure which is paid by you the taxpayer.

[Federal Register Volume 79, Number 24 (Wednesday, February 5, 2014)]
[Notices]
[Pages 6921-6922]
From the Federal Register Online via the Government Printing Office [www.gpo.gov ]
[FR Doc No: 2014-02305]
-----------------------------------------------------------------------
DEPARTMENT OF THE INTERIOR
National Park Service
[NPS-WASO-NAGPRA-14793; PPWOCRADN0-PCU00RP14.R50000]
Notice of Intent To Repatriate Cultural Items: Art Collection and
Galleries, Sweet Briar College, Sweet Briar, VA
AGENCY: National Park Service, Interior.
ACTION: Notice.
-----------------------------------------------------------------------
SUMMARY: The staff of the Art Collection and Galleries of Sweet Briar College, in consultation with the appropriate Indian tribes or Native Hawaiian organizations, has determined that the cultural items listed in this notice meet the definition of unassociated funerary objects. Lineal descendants or representatives of any Indian tribe or Native Hawaiian organization not identified in this notice that wish to claim these cultural items should submit a written request to the Art Collection and Galleries of Sweet Briar College. If no additional claimants come forward, transfer of control of the cultural items to the lineal descendants, Indian tribes, or Native Hawaiian organizations stated in this notice may proceed.

DATES: Lineal descendants or representatives of any Indian tribe or Native Hawaiian organization not identified in this notice that wish to claim these cultural items should submit a written request with information in support of the claim to the Art Collection and Galleries of Sweet Briar College at the address in this notice by March 7, 2014.

ADDRESSES: Dr. Karol A. Lawson, Director, Art Collection and Galleries, Pannell 208, Sweet Briar College, Sweet Briar, VA 24595, telephone (434) 381-6248 (434) 381-6248 FREE  , email klawson@sbc.edu .

SUPPLEMENTARY INFORMATION: Notice is here given in accordance with the Native American Graves Protection and Repatriation Act (NAGPRA), 25 U.S.C. 3005, of the intent to repatriate cultural items under the control of the Art Collection and Galleries, Sweet Briar College, Sweet
Briar, VA, that meet the definition of unassociated funerary objects under 25 U.S.C. 3001.
   
This notice is published as part of the National Park Service's administrative responsibilities under NAGPRA, 25 U.S.C. 3003(d)(3). The determinations in this notice are the sole responsibility of the
museum, institution, or Federal agency that has control of the Native American cultural items. The National Park Service is not responsible for the determinations in this notice.
History and Description of the Cultural Items The Art Collection and Galleries staff at Sweet Briar College have identified eight ceramic vessels in the permanent collection as being unassociated funerary objects from the archeological site known as Nodena, located in Mississippi County, AR. In addition, the staff have identified three ceramic fragments comprising a single object and one
intact ceramic vessel as being unassociated funerary objects from burials in Mississippi County, AR. Therefore, there are 10 unassociated funerary objects from Mississippi County, AR, known to be at Sweet Briar College.
    In 1932, hundreds of cultural items were removed from the Nodena site in Mississippi County, AR, by Walter B. Jones of the Alabama Museum of Natural History, according to a published report, Nodena: An Account of 90 Years of Archaeological Investigation in Southeast Mississippi County, Arkansas (Fayetteville: Arkansas Archaeological Survey, 1989, ed. Dan Morse, p. 33). Jones excavated at the site in the winter and early spring of 1932, and he and his team recovered bottles,
bowls, and jars (as well as other material) and human remains. Jones designated a portion of the
artifacts, or even exactly how many, were included in the donation to Sweet Briar College.
    Between 1932 and the early 1990s, artifacts from this donation were displayed at various locations on Sweet Briar's campus, most notably in an academic building and then in the library. First under the care of the history department, the objects were then overseen by the library staff and the anthropology department faculty. In the early 1990s, care for the artifacts was turned over to the newly established art gallery. The Art Collection and Galleries staff at Sweet Briar College have
identified 10 objects in the collection as unassociated funerary objects from this donation.     Based on a telephone conversation between Karol Lawson of Sweet Briar College and Dr. Ann M. Early, Arkansas State Archaeologist, Arkansas Archaeological Survey, these ceramic objects appear to be
affiliated with The Quapaw Tribe of Indians. Dr. Early explained that, though the Nodena site predates documented contact between European explorers and the Native Americans identifying themselves as Quapaw, archeologists working with this material today generally concur that
The Quapaw Tribe of Indians is the modern, Federally-recognized tribe most closely affiliated with the pre-historic cultural group that occupied the Nodena site. The staff of the Sweet Briar College Art Collection and Galleries inventoried and researched the provenance of the Nodena site objects in 2012, and distributed a NAGPRA summary to The Quapaw Tribe of Indians. Carrie Wilson, NAGPRA representative of The Quapaw Tribe of Indians, contacted Sweet Briar College in the summer of 2013, and subsequently requested repatriation of the objects.Determinations Made by the Art Collection and Galleries of Sweet Briar College Officials of Sweet Briar College have determined that:    
ceramic objects he excavated at the Nodena site as a gift to Sweet Briar College, VA. This donation appears to have been initiated by Mrs. Lena Garth of Huntsville, AL, whose daughter and granddaughter both attended Sweet Briar College. According to letters in the Sweet Briar College acquisition files, Jones informed Harris. G. Hudson (Sweet Briar history department faculty) of the gift on May 31, 1932, and Sweet Briar College president, Dr. Meta Glass, informed Jones that the materials had been received on June 18, 1932. Nowhere in the extant 1932 letters and memos did Jones, Garth, Hudson, or Glass provide specific lists clearly delineating what individual
Pursuant to 25 U.S.C. 3001(3)(B), the 10 cultural items described above are reasonably believed to have been placed with or near individual human remains at the time of death or later as part of the death rite or ceremony and are believed, by a preponderance of the evidence, to have been removed from a specific burial site of a Native American individual.     Pursuant to 25 U.S.C. 3001(2), there is a relationship of shared group identity that can be reasonably traced between the unassociated funerary objects and The Quapaw Tribe of Indians.Additional Requestors and Disposition Lineal descendants or representatives of any Indian tribe or Native Hawaiian organization not identified in this notice that wish to claim these cultural items should submit a written request with information in support of the claim to Dr. Karol A. Lawson, Director, Art Collection and Galleries, Pannell 208, Sweet Briar College, Sweet Briar, VA 24595, telephone (434) 381-6248, email mailto:klawson@sbc.edu">klawson@sbc.edu; by <March 7, 2014. After that date, if no additional claimants have come forward, transfer of control of the unassociated funerary objects to The Quapaw Tribe of Indians may proceed.; The Art Collection and Galleries of Sweet Briar College is responsible for notifying The Quapaw Tribe of Indians that this notice has been published.
Dated: January 9, 2014.
Mariah Soriano,
Acting Manager, National NAGPRA Program.
[FR Doc. 2014-02305 Filed 2-4-14; 8:45 am]
BILLING CODE 4312-50-P
Pasted from <http://www.nps.gov/NAGPRA/FED_NOTICES/NAGPRADIR/nir0651.html>

Art Fraud and Art Theft Winter 2014

1. NEW YORK Beltracchi and the Threat to Authentication: 60 Minutes caters to the vanity of Wolfgang Beltracchi in their report on his massively successful forgery scheme.
Bob Simon: Do you think the experts are just incompetent or that they are also frauds, that they pretend to know more than they know?
Wolfgang Beltracchi: No, no nearly all the experts we have met, we met, they were serious, really serious. Their only problem was that I was too good for them. Yes, that was their problem, that’s all. And with all the legal problems they now have, many experts are very hesitant to use their expertise.
Many foundations representing major artists like Andy Warhol, Keith Haring and Willem de Kooning are refusing to authenticate works brought to them at all.  Francis O’Connor is the world’s top Jackson Pollock expert.  He says he can spot a fake Pollock in a second, but these days is keeping his opinions to himself.
Bob Simon: What if I were to come to you and say “this has been presented to me as a Pollock”
Francis O’Connor: Someone comes to me about once a week. I just let it go by.
Bob Simon: Let it go by? Francis O’Connor: In other words, ignore it.
Bob Simon: I’m not quite sure I understand.  If I come to you and I say, “Hey, this has been presented to me as a Pollock” and you can see right away that it isn’t, you’re not going to tell me “this is not a Pollock”?
Francis O’Connor: I would be very hesitant to give any opinion at that point, because of the legal situation.
Bob Simon: Where do I go to see whether my painting is a real Pollock or not?
Francis O’Connor: There is nowhere to go.
Art forger Wolfgang Beltracchi’s multimillion dollar scam (60 Minutes)

2. NEW YORK - Smuggled Art Seized in Queens: $8 million worth of art believed to be smuggled into the U.S. by former Manhattan gallery owner and accused looter Subhash Kapoor has been seized by agents of Homeland Security. The federal agents found the hundreds of pieces from Afghanistan, Pakistan, India, and Cambodia in a storage locker in a Queens warehouse owned by a relative of Kapoor. Kapoor currently awaits trial in India for employing looters to pilfer sculptures of Hindu deities, which he then smuggled into the U.S. [NYT]
http://www.blouinartinfo.com/news/story/1013425/american-sues-for-gurlitt-art-smuggled-art-seized-in-queens?utm_source=BLOUIN+ARTINFO+Newsletters&utm_campaign=b743944ac2-Daily+Digest+3.6.14&utm_medium=email&utm_term=0_df23dbd3c6-b743944ac2-83005727

3. NEW YORK - Basquiat Estate Sues Christie’s: Jean-Michel Basquiat’s sisters, Jeanine Basquiat
Heriveaux and Lisane Basquiat, who run his estate, are suing Christie’s for $1 million after the auction house did not consult them to authenticate more than three dozen works. The estate alleges that the house insinuates in its materials that the works have been authenticated when, in fact, they may be fakes. “Christie’s attempts to deceive and mislead the public into believing that the Estate authorized the reproduction of the artwork in the Catalog and that therefore the Catalog Items are authentic,” the suit states. [NYT]
http://www.blouinartinfo.com/news/story/1013002/basquiat-estate-sues-christies-dc-arts-funding-may-rise-and?utm_source=BLOUIN+ARTINFO+Newsletters&utm_campaign=5a020088be-Daily+Digest+3.5.14&utm_medium=email&utm_term=0_df23dbd3c6-5a020088be-83005727

4. NEW YORK - Museums take action over works looted from India
In advance of next week’s trial against Subhash Kapoor, public collections start to deal with the objects they bought through the New York antiquities dealer
By Javier Pes. Web only
26 February 2014
Shiva as Lord of the Dance (Nataraja), at the National Gallery of Australia
The National Gallery of Australia’s (NGA) bronze sculpture of Shiva as Lord of the Dance (Nataraja), a highlight of its Asian art displays, could be returning to India sooner rather than later. An India court has asked for the restitution of the 11th- to 12th-century Chola dynasty statue of the Hindu god, The Australian newspaper reports.
In an unusual move for a museum that has purchased an object in good faith that later turned out to be looted, the NGA filed a $5m lawsuit on 6 February against the New York gallery Art of the Past and its owner Subhash Kapoor for alleged fraud. In an earlier press statement, Ron Radford, the director of the NGA, said that the institution is discussing “avenues for restitution” with the Indian High Commission.
Meanwhile, the Toledo Museum in Ohio is also in contact with Indian authorities, seeking information about the 64 objects it acquired from Kapoor from 2001 to 2010. The museum is one of several worldwide that purchased art from South and Southeast Asia over the past three decades, or accepted them as gifts from Kapoor. Not all of the items were antiquities, however.
Kapoor, an Indian-born, American citizen, is being held in a jail in Chennai (formerly Madras) awaiting trial, which is due to start on 7 March. He was charged with smuggling antiquities in 2012. There is a warrant for his arrest in the US on charges of possessing stolen property. He denies both charges.
In a New York court last December, the office manager of Art of the Past, Aaron Freedman, pleaded guilty to six counts of criminal possession of stolen property. The NGA’s Shiva was among the items listed as illegally exported from India.
http://www.theartnewspaper.com/articles/Museums-take-action-over-works-looted-from-India/31834

Monday, March 10, 2014

Archaeology Around the World Winter 2014

1. KATHMANDU (AFP).- "Two archaeologists had a hunch that the Buddha's birthplace in southern Nepal held secrets that could transform how the world understood the emergence and spread of Buddhism. Their pursuit would eventually see them excavate the sacred site of Lumbini as monks prayed nearby, leading to the stunning claim that the Buddha was born in the sixth century BC, two centuries earlier than thought. Veteran Nepalese archaeologist Kosh Prasad Acharya had carried out excavations in Lumbini before in the early 1990s, when Nepal was still ruled by a king and a Maoist insurgency had yet to kick off. The project ended in 1996 but Acharya remained unsatisfied with the results. "My belief was that there was another cultural deposit below, which we had not uncovered," the 62-year-old told AFP. He headed back to his government job in the capital Kathmandu and waited to retire, restless to return to Lumbini. The Buddha's birthplace was lost and overgrown by jungle before its rediscovery in 1896, when the presence of a third century BC pillar bearing inscriptions allowed historians to identify it as Lumbini".... more http://artdaily.com/news/67410/How-a-hunch-led-Nepalese-archaeologist-Kosh-Prasad-Acharya-to-stunning-claim-on-Buddha-birth-date#.UxSi2oWwU2E[/url]

2. CAIRO (AFP).- "A US team in Egypt has identified the tomb of pharaoh Sobekhotep I, believed to be the founder of the 13th dynasty 3,800 years ago, the antiquities minister said Monday. The team from the University of Pennsylvania had discovered the quartzite sarcophagus of Sobekhotep I, pharaoh's name and showed him sitting on a throne, Antiquities Minister Mohamed Ibrahim said in a statement. "He is likely the first who ruled Egypt at the start of the 13th dynasty during the second intermediate period," the minister said. The discovery is important as not much information was available about Sobekhotep I "who ruled Egypt for four years and a half, the longest rule at this time," said Ayman El-Damarani, a ministry official. The tomb's discovery in the southern archaeological site of Abydos is expected to reveal more details about his life and rule, he added. The team also discovered the remnants of canopic vases traditionally used to preserve internal body organs, along with gold objects owned by the king." http://artdaily.com/news/67308/Archaeologists-from-the-University-of-Pennsylvania-identify-tomb-of-Egypt-pharaoh#.UxP2m4WwU2E[/url]
which weighed about 60 tonnes, a year ago, but was unable to identify who it belonged to until last week, the ministry said. Its identity was established after the team found fragments of a slab inscribed with the

3. Damage to Cairo's Museum of Islamic Art: Why Does Art Always Take in on the Chin?
By Lynda Albertson, ARCA's CEO
"As news of the explosion affecting Cairo’s Museum of Islamic Art has spread and images of the destruction were replicated across social media sites few people or news agencies paused to mention what objects were actually inside one of Egypt’s spectacular museums or talk about the heart of Islam the collection represents. 
Started in 1881, the Museum of Islamic Art initially was housed within the arcades of the mosque of the Fatimid caliph Al-HakimBi-Amr Allah. Commencing with 111 objects, gathered from mausoleums and mosques throughout Egypt, the original collection has grown substantially over the last 130 years. 
Today the objects in the Cairo museum represent one of the most comprehensive collections of Islamic art in the world. With more than 103,000 artifacts housed in 24 halls, its collection celebrates every Islamic period in Egypt covering the Fatimids, the Mamluks, the Abbasids, the Ummayads, the Tulunids, the Ottomans, and the Ayyubids dynasties.
The museum’s glass collection alone counts 5,715 pieces in its inventory.  Some are very rare, others, like this glass vessel fragment, are more commonplace. Notwithstanding, each piece helps visitors and scholars embrace and understand the history of the region and its people.
Some of the glass enameled lamps in the museum come from the mosque of Sultan Hassan who ruled Egypt twice, the first time in 1347 when he was only 13 years old.  One of the most outstanding of these glass pieces is an eight-sided chandelier made up of three layers with a dome-shaped cap and detailed Islamic decorations imprinted on its glass.
Some of the museum’s glass comes from excavations undertaken at Al-Fusṭāṭ, on the east bank of the Nile River, south of modern Cairo."  http://art-crime.blogspot.com/2014/01/why-does-art-always-take-in-on-chin.html

4. CAIRO (AFP).- "Spanish archaeologists have discovered a 3,600-year-old Egyptian mummy inside a wooden sarcophagus adorned with rare feather drawings in the ancient city of Luxor, Egypt's antiquities ministry said Thursday. The two metre-long and 50 centimetre-wide (6.5 feet by 20 inches) sarcophagus was in good condition and its colours were still bright, the ministry said in a statement. Antiquities minister Mohamed Ibrahim said feather drawings are rarely found on ancient coffins. "The sarcophagus goes back to the 17th dynasty (1600 years BC)," said Ali El-Asfar, the head of the antiquities ministry's pharaonic department. "Its owner could have been an important statesman, according to the sarcophagus's preliminary examination and its inscriptions." The sarcophagus bears hieroglyphic inscriptions meant to ease the journey to the afterlife, in accordance with pharaonic beliefs. The feather drawings symbolise the ancient Egyptian goddess of law Maat, who was believed to have weighed the hearts of the dead against a feather to determine their status in the afterlife. The discovery was made in an ancient burial site on Luxor's west bank, near a tomb belonging to the storehouse administrator of Queen Hatshepsut, a member of the 18th dynasty who ruled Egypt from 1502 to 1482 BC. The Spanish archeological team, which has been working in Luxor for 13 years, discovered last year the wooden sarcophagus of a five-year-old boy that goes back to the 17th dynasty. Luxor, a city of around 500,000 residents on the banks of the Nile in southern Egypt, is an open-air museum of intricate temples, tombs of pharaonic rulers and landmarks such as the Winter Palace hotel, where crime novelist Agatha Christie is said to have written "Death on the Nile." http://artdaily.com/news/68218/Archaeologists-find-3-600-year-old-Egyptian-mummy-in-well-preserved-sarcophagus-#.UxTno4WwU2E[/url]

5. MEXICO CITY.- "Recent analysis made to the 4th Offering of La Venta have allowed investigators to discover evidence suggesting that the ancient Olmec civilization, that flourished in the Gulf of Mexico, reached a territorial and commercial expansion much bigger than what had been originally thought, since it’s believed they were in contact with Guatemala, Guerrero and Oaxaca. The offering, found in 1955, is made up of 16 figurines carved in different green stones representing Motagua River in Guatemala, and serpentine (minerals) of Guerrero and Oaxaca. This makes us suppose that the artifacts represent a sumptuary good that originates from places distant to those known to have alliances with the Olmec site of La Venta.” The analysis made on the artifacts was compiled in the book: “The 4th Offering of La Venta, a treasure reunited in the Museum of National Anthropology." more...http://artdaily.com/news/67742/Recent-analysis-by-archaeologists-shows-that-the-Olmec-culture-expanded-as-far-as-Guatemala#.UxTVqIWwU2E[/url]
masculine individuals and a row of six slim axes that frame the scene. It’s the first time they have found physical evidence of the territorial expansion in an offering. “We found jade originating from the basin of the

6. MEXICO CITY.- "An important corpus of codices made more than 450 years ago, which make reference to tributes in Valle de Tlaquiltenango, known today as Morelos, were completely identified by the specialist Laura Hinojosa from the National Institute of Archaeology and History (INAH). The expert of the INAH Center in Morelos added that the codices, made between 1525 and 1569, are of great importance since there are only two others: Moctezuma’s codex and the Marquis del Valle’s codex. Also, the ones made in Tlaquiltenago were glued onto the cloister frieze underneath the del Valle or the encomenderos (grantees of the encomienda)”. Laura Hinojosa explained that Codex 1 was formed ..." more http://artdaily.com/news/67496/INAH-specialist-identifies-important-corpus-of-codices-made-more-than-450-years-ago#.UxSqZYWwU2E[/url]
convent, something rather atypical. “This situation possibly emanated from the fact that Franciscan friars, living during this epoch, wanted to protect the native legacy, or their need to hide it because these documents manifested that those in charge of the convent were also beneficiaries of the nearby villages’ offerings”, she indicated. The codices were divided in 1911 when the engineer Juan Reina, owner of the place, sold 135 fragments for 2,000 dollars to the Museum of Natural History in New York. These documents were elaborated by natives, and show the bestowed tributes. “We found annotations describing the offerings paid to the representatives of the temple, the Marquis

7. Antiquities and Archaeology News Egypt
"Egyptian pharaoh’s tomb discovered by American archaeologists
The important find is the burial site of Sobekhotep I, believed to be the first king of the 13th Dynasty
By Garry Shaw.
Published online: 06 January 2014
The tomb of the Egyptian pharaoh King Sobekhotep I, believed to be first king of the 13th Dynasty (1781BC-1650BC), has been discovered by a team from the University of Pennsylvania at Abydos in Middle Egypt, 500km south of Cairo.
Since new royal tombs are rarely discovered, and as only ten from the 13th Dynasty are known—all at Dahshur, just south of Cairo—this is an important find. King Sobekhotep I ruled for only about three years, at a time when Egypt was entering a period of decline. In fact, the chronological evidence for this period is so complex that scholars are still debating the order of the 13th Dynasty kings.
Sobekhotep I’s tomb was constructed from limestone brought from the Tura quarries near modern Cairo, while his burial chamber is made from red quartzite. The burial was originally topped by a pyramid. Among the further finds are a 60-ton quartzite sarcophagus, a stele bearing the name of the king, an image of Sobekhotep I enthroned, parts of the canopic jars that once contained the pharaohs internal organs, and funerary objects.
Excavation at the tomb is ongoing, though Egypt’s antiquities chief, Mohamed Ibrahim, hopes to open the site to the public, once the tomb has been restored.
This is not the only discovery of an ancient Egyptian site since the New Year. Working at Luxor, a team from Japan’s Waseda University uncovered the tomb of Khonsu-em-heb, an overseer of granaries and beer-brewers for the goddess Mut during the Ramesside Period (1298BC-1069BC). The tomb walls are painted with many beautiful scenes that illustrate religious ceremonies and show the tomb’s owner, Khonsu-em-heb, with his wife and daughter, who were both chantresses of Mut. The Japanese team uncovered the tomb while clearing the courtyard of another nearby burial site.
UPDATE, 15 January 2014: Another tomb, this time of a previously unknown pharaoh named Seneb-Kay, was also unearthed at Abydos, Egypt, by the same team from the University of Pennsylvania.
Although relatively small, and constructed from reused blocks dated to the Middle Kingdom (2066BC-1781BC), the tomb was originally richly equipped with gilded funerary equipment, fragments of which were found during excavation. The king's skeleton, canopic jars, fragments of the wooden coffin and cartonnage funerary mask, which was probably gilded and later stripped of its decoration by tomb robbers, were also found within.
Seneb-Kay appears to have ruled as a regional king at Abydos during Egypt's Second Intermediate Period (1781BC-1549BC), a time when central government power had broken down and the kingdom's unity had fragmented."

8. CAIRO (AFP).- "Archaeologists in Egypt have found a nearly 3,500-year-old statue of the daughter of pharaoh Amenhotep III in the famed temple city of Luxor, the antiquities ministry said on Friday. An Egyptian-European team uncovered the statue of princess Iset, 170 centimetres tall and 52 cm wide, during renovation work at the Amenhotep III mortuary temple on Luxor's western bank, antiquities minister Mohamed Ibrahim said in a statement. "The statue is part of a 14-metre-high (46-foot) alabaster sculpture of Amenhotep III that was at the entrance of the temple sanctuary," team head Dr Hourig Sourouzian said. The sculpture features the 18th Dynasty ruler on his throne, his neckless in her right hand. It is the first time a sculpture has been found that depicts the princess alone with her father: others show her with her two parents and her brothers, Sourouzian said. The statue of the princess "was eroded, especially the face", and the feet were missing, ministry official Ali El-Asfar said. The princess's name and her titles, among them "Love of her father", were carved on the statue, Asfar added. Luxor, a city of some 500,000 people on the banks of the Nile in southern Egypt, is an open-air museum of intricate temples and pharaonic tombs."  http://artdaily.com/news/68625/Egypt-dig-unearths-a-nearly-3-500-year-old-statue-of-the-daughter-of-pharaoh-Amenhotep-III#.Uxz3cIWwU2E[/url]
hands on his knees, his daughter standing between his legs, wearing a wig and a long tunic and holding a

9. MEXICO CITY.- "A shaman’s sculpture (represented with a long face and a weapon at hand), is the guardian of a shaft tomb discovered in the state of Colima by investigators of the National Institute of Anthropology and History (INAH), who recently became the first to see its interior after it had been closed for more than 1,500 years. With the fumaroles of the Fire Volcano as a background and underneath a plot of land in the municipality of Villa de Alvarez, the specialists from INAH are detailing the registry of this funerary space which was fortunately found intact, since shaft tombs are usually raided by looters because of the objects beauty within these, explained archaeologist Marco Zavaleta Lucido. The archaeologist added that the salvage in Villa de Alvarez, near a place with recently recovered adult burials in cists, where he recently lifted three flat stones that sealed the vertical entry to the shaft tomb. The underground space devastated by tepetate (a solid layer of volcanic rock) is distinct and earlier than the cist burials, dComala phase. Physical anthropologist Rosa Maria Flores Ramirez detailed that both sides of the vault have bones that to one or two individuals that must have been placed inside previously, and whom were removed to place another individual. The main burial was found in an inferior layer of the excavation, lying on his back. There is a theory that shaft tombs were used as homage to their ancestors, as well as where other characters from the same clan were deposited. The characters that were introduced into the recently opened shaft tomb were accompanied by a rich offering composed of: six pots (of different sizes) and a tecomate (earthenware bowl). However, the piece that has been distinguished among all others is the shaman figure at approximately half a meter tall (19.69 inches). Regularly, funerary spaces have been associated with the elite, since only they had the power and resources to make these types of constructions. Another status marking are the elements that were placed as offerings, including dogs as the soul’s guide to the underworld. The archaeological salvage has also been an opportunity for students and teachers at the University of Colima, who went to the site in order to draw up a 3D context." http://artdaily.com/news/68558/Mexican-archaeologists-find-a-1-500-year-old-shaft-tomb-in-the-state-of-Colima-#.Uxz9yoWwU2E[/url]


10. MEXICO CITY.- Fragments of human bones that show cuts and prolonged exposure to fire, have allowed investigators to conclude that during the Post Classic period (900 through 1521 AD) rulers, priests and some high ranking warriors practiced cannibalism as a religious rite. The findings are a
result of recent investigations by archaeologist Gabino Lopez Arenas on craniums, tibia, humerus and jaws located among the offerings of the Great Temple and in the surroundings of the historical center. Lopez Arenas explained that the osteological evidence found in the Sacred Grounds of Tenochtitlan, allows the conclusion that individuals were decapitated and dismembered, the majority of which still possessed bland tissue. “We observed that immediately after the victims were immolated their flesh was removed, this is confirmed because a great quantity of bones had cuts and alterations that were done while the bone was fresh and recently exposed to fire”, he assured. The specialist added that the practice of cannibalism had the purpose of “absorbing the divine strength that remained in the victim’s bodies: To Mexicas, the human victims were the incarnation of the gods they represented, and by eating their flesh they could share their divinity”. Art Daily