October 14, 2012|By Christopher Reynolds, Los Angeles Times
BENTONVILLE, Ark. — To meet Gilbert Stuart's "George Washington," Norman Rockwell's "Rosie the Riveter," Andy Warhol's "Dolly Parton" and hundreds of other artworks less famous and more subtle, first fly to XNA.
That's right, Northwest Arkansas Regional Airport. Then drive 20 miles north, through farmland, forest and suburbs, to the home of the planet's largest retailer.
That's right, Bentonville. On Central Avenue, if it's autumn, you'll probably roll past 100-year-old houses under a dense canopy of fall colors. In the downtown square, you'll pass the storefront where Sam Walton's Wal-Mart empire was hatched as a five-and-dime in 1950.
Then the road dips into a woodsy ravine and a strange skeletal tree of gleaming silver rises from the grass. It's a sculpture by Roxy Paine, announcing your arrival at the shimmering, occasionally perplexing Crystal Bridges Museum of American Art.
Crystal Bridges, approaching its first birthday Nov. 11, is this country's wealthiest, most ambitious new art museum. Thanks to its arrival, a visitor to northwestern Arkansas now finds a fascinating jumble of heartland scenery, small-town sensibility, global commerce and American art, along with a measure of irony. After raising big-box stores around the world — and being blamed by many for the decline of Main Street commerce across America — Wal-Mart and its founding family have relaunched their hometown's downtown.
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"You've got a little pond, that being Bentonville, that already has a giant alligator lurking in it, that being Wal-Mart," says Dayton Castleman, an artist, educator and bicycle shop salesman who moved here from Chicago during the summer. "And the museum is like dropping a 4-ton boulder in the middle of that pond. Kaboom!
"I think people are going to be studying what happens in Bentonville right now for years to come."
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Not long ago, Crystal Bridges museum director Don Bacigalupi likes to recall, his 6-year-old son pulled out his violin and joined the jammers.
"It's an amazing experience," Bacigalupi told me, "to be part of that indigenous culture even as all of this new culture is arriving."
Good food too. I had excellent organic greens and ravioli at Tavola Trattoria; good guajillo salmon salad at Table Mesa Bistro; a restorative cup of iced coffee at the Pressroom; and a tangy BLT tartine (applewood-smoked pork belly with tomato chutney and arugula) at Tusk & Trotter. None of those restaurants existed five years ago.
http://articles.latimes.com/2012/oct/14/travel/la-tr-arkansas-20121014
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