1. WALTHAM. The sad saga of Brandeis University’s Rose Art Museum, whose collection university trustees had voted to sell in 2009, ended today when the university announced the settlement of a lawsuit filed by museum supporters and the promise to keep the museum open without putting any of its art up for sale.
“The Rose remains open, and it has an important role to play in the life of Brandeis,” Fred Lawrence, the university’s president, told The Art Newspaper. “There are no plans to sell art.” Further, he added, the lawsuit, brought by four Rose board members and donors to prohibit any sales in Suffolk Probate and Family Court in Boston, was terminated, and the Massachusetts Attorney General has closed the case.
Lawrence declined to rule out another option that has been considered, however, that the Rose might raise money by “renting out” part of its collection. “We’re exploring options, but I’m focused on the 50th anniversary of the Rose this year, with planning traveling exhibitions, and with bringing supporters back to the museum,” he said.
The Rose was threatened with closure in January 2009, when Brandeis’s board of trustees voted to help alleviate the university’s deep financial troubles by selling art from the Rose’s collection, whose 7,000-plus works include seminal pieces by Willem de Kooning, Jasper Johns, Roy Lichtenstein, Morris Louis, Matthew Barney, Cindy Sherman, and Richard Serra, among others. It has been valued at more than $350 million. Making matters worse, the board’s decision was sprung without warning on Michael Rush, then the Rose's director, and the museum’s board — who fought the move publicly and vociferously. Within months, Rush’s contract was not renewed and he has not been replaced.
2. SAN ANTONIO, TX.- The San Antonio Museum of Art announces the acquisition of a rare and extremely important Tibetan painting, Buddha Amitabha in Western Paradise.
According to John Johnston, the Coates-Cowden-Brown Curator of Asian Art, “This is the finest Tibetan painting in our collection and one of the best paintings of its type in America.”
The thangka, or scroll painting, dates to circa 1700 and features vivid pigments and gold painted on cotton. The thangka depicts a celebratory scene of Buddha Amitabha seated in meditative pose and resting on a lotus supported by a peacock throne. Around Amitabha are elaborate scenes featuring over one hundred figures in attendance to the Buddha. The painting is unusually large for a thangka, as most scenes of this size and detail are featured on wall paintings rather than scroll paintings.
Buddha Amitabha in Western Paradise was purchased with funds provided by the Bessie Timon Asian Art Acquisition Fund, and is currently on display on the second floor of the Museum’s Lenora and Walter F. Brown Asian Art Wing.
The San Antonio Museum of Art is housed in the historic Lone Star Brewery along the celebrated new Museum Reach section of the beautiful San Antonio River Walk. SAMA’s collection contains more than 25,000 works of art representing over 5,000 years of history and cultures from around the world. SAMA conducts more than 500 guided tours annually and provides approximately 200 educational programs each year. Programs include lectures, concerts, films, children’s workshops, scholarly symposia, family art activities, and special exhibitions .
http://www.artdaily.org/index.asp?int_sec=2&int_new=49052&b=Tibetan%20painting,%20Buddha%20Amitabha
3. SAN FRANCISCO, CA (AP).- The case of a stolen Picasso has been cracked — and police say it was a New Jersey man who walked into the gallery in downtown San Francisco, snatched the drawing and fled in a taxi.
Police arrested Mark Lugo, 31, of Hoboken, N.J., on Wednesday at an apartment in Napa, and found the artwork stripped from its frame. The 1965 pencil-on-paper drawing — titled "Tete de Femme" — was purchased at a spring auction in New York. It's worth about a quarter of a million dollars.
"I've had some sleepless nights," said Rowland Weinstein, who owns the Weinstein Gallery. "I feel very, very lucky and very relieved that the Picasso wasn't harmed and will be returned back safely."
Weinstein said he planned to upgrade the street-level art gallery's surveillance system. The drawing was displayed under guard at a news conference at the police station on Thursday.
Lugo faces burglary, grand theft and drug charges and is being held on $5 million bail. He has been in town since July 4 and was visiting friends, said Police Chief Greg Suhr.
Lugo's arrest comes a day after surveillance video released from a nearby restaurant showed a man matching his description walking by with a piece of framed artwork covered by a newspaper under his arm.
Suhr said the footage played a key role in the arrest.
http://www.artdaily.org/index.asp?int_sec=2&int_new=48900&b=picasso%20theft
4. VANCOUVER, BC.- It is said that when Surrealist André Breton first saw an indigenous mask from the Pacific Northwest , he called it “more surreal than the Surrealists.” During the 1930s and 40s, Breton and many of his Surrealist colleagues were intrigued and became avid collectors of this art and, in some cases, visitors to British Columbia and Alaska. For the first time in an exhibition, The Colour of My Dreams: The Surrealist Revolution in Art brings to light the Surrealists’ fascination with First Nations art.
The Surrealists’ passion for Pacific Northwest First Nations art began in New York , where many artists fled as Europe slid from the First World War into fascism and a new conflict. Surrealists were drawn to the ‘authentic’ quality, inventiveness of form and visual brilliance of First Nations art. Some of the movement’s members collected, wrote about and even exhibited their own work alongside First Nations art from British Columbia and Alaska . To Breton, the turn toward so-called primitive art and thought was a necessary response to the “great social and moral crisis” of the era. Breton and other Surrealists saw Europe and the West more broadly as a failed society, where the triumph of rationalism brought conflagration and vast human suffering. The Surrealists – including Max Ernst, Enrico Donati, Kurt Seligmann and Wolfgang Paalen – saw something in the Aboriginal art of the Pacific Northwest which they felt held the secret to revolutionizing what they viewed as the depleted Western imagination. Said Breton in 1946, “today, it’s above all the visual art of the red man that lets us accede to a new system of knowledge and relations.”
The Colour of My Dreams includes a spectacular Kwakwaka’wakw headdress from Alert Bay, British Columbia, which once belonged to Breton; five Yup’ik masks from Alaska, formerly of the collection of artist Enrico Donati; and many other remarkable works – all displayed near the masterworks of the Surrealists who collected them.
5. PARIS.- With more than 160 exceptional items, most of which have never left their country of origin, this exhibition offers the opportunity to discover the Guatemalan Maya, one of the major civilizations that shaped the history of pre-Columbian America. In an attempt to promote the protection of the Guatemalan national heritage, the exhibition highlights the latest significant archaeological discoveries on several recently studied sites – such as El Mirador, which heads the list of the five sites selected to be nominated for UNESCO World Heritage site status. This latest research enables the presentation of a broader and more complex concept of Maya civilization; one which describes the great variety and the development of its social organization, architectural forms and artistic styles. Painted ceramics, stelae, finely carved stones, funerary elements, architectural remains and ornaments, all presented in chronological order, provide a complete ... More
http://www.artdaily.org/index.asp?int_sec=2&int_new=48631
The ArtTrak blog has been created as a discussion forum for the website www.arttrak.com. Periodically ArtTrak also sends out Newsletters to their subscribers and this information after publication is also added to the blog. While much of the blog is devoted to African, Pre-Columbian, Oceanic, American Indian, and Folk Art, we are also very involved with appraisal and authentication issues. Your comments are welcome.
Saturday, July 30, 2011
Norman Hurst - In Memorium 1944- 2011
For those of you that knew Norm Hurst, you were better for it. He was a good guy, knowledgeable appraiser, and successful art dealer who managed in Cambridge to weather the storm through many decades. Norm, you will be missed. JB
Below is the obituary sent by his wife Kathy -
Norman Paul Hurst, 67, of Cambridge and Newton, MA (AB Harvard 1966), lost a lengthy battle with cancer at his home in Newton on July 27, 2011. Norman was the devoted husband of Katherine Burton Jones, loving stepfather to Gregory Burton Garmil, and beloved son of Elaine Hurst and the late Jefferson Hurst of Albany, OR. Norman is also survived by two sisters: Anne Dewey of Portland, OR and Susan Derrickson of Lebanon, OR. He was a much admired and inspirational uncle to Alex Dewey of Palo Alto, CA and Lydia Dewey of Portland, OR.
Norman was one of the foremost art dealers and certified appraisers of tribal art and antiquities. He was nationally and internationally respected for his professional expertise and loved for his kindness and gentle nature. Norman was an inspiration to many and will be sorely missed by those who knew him and loved him.
For over 30 years, Norman was the proprietor of Hurst Gallery in Cambridge, MA. The gallery has been a unique fixture in Harvard Square, where Norman introduced countless patrons to the beauty and significance of non-Western arts. The scholarly catalogs of specialized exhibits published by Hurst Gallery, many of them authored by Norman himself, have been circulated worldwide and constitute a significant contribution to study of the field. In addition, Norman served as a consultant to both museums and to private art collectors, providing appraisals, planning exhibitions, and advising on the development of collections. He was one of a handful of appraisers with expertise in the arts of Asia including China, India and Japan; Graeco-Roman, Egyptian and Middle Eastern antiquities; American Indian, Eskimo and Pre-Columbian art; African art; and art and artifacts of the Pacific Islands.
He was a member of the International Society of Appraisers and the Appraisers Association of America, organizations in which he earned special certification for his expertise in non-western arts. Norman was also an active member of the Antique Tribal Art Dealers Association (where he was one of four founding members), The Appraisers? Registry of New England, LLC, the New England Museum Association, and the Pacific Art Association. He was a supporter of many museums and cultural organizations across New England. Norman travelled widely and there was never a museum, archaeological site, or art gallery that he missed during these trips.
A private service will be held in his home in Newton, MA. Memorial services will also be held in Cambridge, MA and Albany, OR.
Norman was a competitive and accomplished tennis player; the family asks that donations be made in his name to the Museum of the International Tennis Hall of Fame, Newport, RI. Alternatively, donations may be made in his name to fund the research of Dr. Eric Wong, Beth Israel Deaconess Hospital, Boston, MA (neuro-oncology).
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How Much is Billy The Kid Worth
June was a good month for antique photograph collectors…
Within a span two weeks and across two continents, two new world auction records were set for 19th Century photographs. On June 18th, "Bateaux quittant le port du Havre", an 1856-1857 albumen print by the luminary French photographer Gustave Le Gray, sold for 917,000 euros (approximately $1.3M USD) at Rouillac auction house in Vendome, France, to a Texas collector. The photograph of sailing ships silhouetted against a sunset horizon, was one of several Le Gray’s from the same collection to do well on the auction block, with all ten prints totaling 1.6M euros ($2.3M USD). The sale is not only the record for the artist, but for an albumen photograph.
Not to be outdone by the French, on June 27th, a vernacular 1880’s tintype full-length portrait of the American outlaw, Billy the Kid, sold for $2.3M USD at Brian Lebel’s Old West auction in Denver, Colorado, to William Koch of Florida. As the photohistorian Robert McCubbin notes in the catalog, the photograph is believed to be not just the only extant photograph of the mythological antihero, but one of the most widely recognized photographs in American history. The lot, which also included family photographic provenance, was one of several photography lots to do well in the sale, and was accompanied by strong reported sales by photo dealers at the companion dealer show. The photograph now holds the record for both a tintype, as well as a 19th Century photograph.
The fact that both results coincide with one another is not mere circumstance, but rather an indication of an increase in the market for antique photographs. October’s photography sales in New York should provide similar encouragement for collectors.
Scott W. Hale, ISA AM
Native American Art Appraisals, Inc.
http://www.naaainc.com
http://www.twitter.com/#!/NAAAinc
August Roadshow Travels - Will We Be Near You
The summer has already been a bit crazy with trips to Eugene, Oregon; El Paso, Texas; Minneapolis, Minnesota:, and last week in Tulsa, Oklahoma. On Thursday I leave for Atlanta and Pittsburgh which will be our final two stops on Season 16 on the Roadshow.
If you have any requirements for appraisal work, authentication, or you would like to see what we are offering currently in the gallery, you can reach me at the contact information below.
If you have any requirements for appraisal work, authentication, or you would like to see what we are offering currently in the gallery, you can reach me at the contact information below.
John A. Buxton, ISA CAPP6717 Spring Valley Road
Dallas, Texas 75254
972-239-4620 – Voice
Dallas, Texas 75254
972-239-4620 – Voice
214-789-4695 - Cell972-239-9766 - Fax214-556-5650 – Skype
Antiques RoadshowMonday, May 30, 2011
HAVE YOU SEEN THIS SCULPTURE?
HAVE YOU SEEN THIS SCULPTURE?
A scholar specializing in the art of the Lagoons region of Côte d’Ivoire is looking for an African statue that might be in Texas! This unusual female figure arrived in France in the late 19th century. At that time it was labeled “Alangoua”, possibly because it came from an Anyi kingdom of that name, or because it came from one of the Lagoon peoples who lived nearby (such as the Alladian or Akye). A statue by the same artist was in the collection of Karl Kjersmeier, was photographed by Man Ray, and is now in the National Museum of Denmark. The missing figure was in the Trocadéro and in the Musée de l’Homme, but left Paris over fifty years ago. When last seen, it was being offered for sale by Barry Kitnick in Los Angeles (see black and white photograph). While hoping to include this valuable piece in an upcoming exhibition, the scholar promises to keep all responses confidential! If you have any ideas as to its whereabouts, please contact John Buxton.
In addition to this object we are also looking for the Lagoons figure with stool that was also in Texas as of 2001 (see color photo). Please forward this to other internet outlets or to anyone that might be helpful.
Many Thanks
John A. Buxton, ISA CAPP6717 Spring Valley Road
Dallas, Texas 75254
972-239-4620 – Voice
Dallas, Texas 75254
972-239-4620 – Voice
214-789-4695 - Cell972-239-9766 - Fax214-556-5650 – Skype
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