Tuesday, March 10, 2015

Tribal Art Auctions Winter 2015

1. NEW YORK 2014 was an outstanding year for African and Oceanic Art at Sotheby’s, with an
astounding 84.7 million dollars achieved worldwide. An extraordinary series of auctions in New York and Paris affirmed the arrival of this field in its new position as a major collecting area, with
Sotheby’s international team at the helm as the unrivaled market leaders worldwide.  Sotheby’s sold every one of the top ten prices of 2014 and commanded an 87% share of the market versus our nearest competitor.
http://www.sothebys.com/en/departments/african-oceanic-art/2014-review/2014/12/making-history.html

2. SAN FRANCISCO, CA.- Two Northwest Coast raven rattles stood out in Bonhams' $1.4 million Native American Art auction on December 8 in San Francisco. Each flew past their pre-sale estimates (of $20,000-30,000 and $20,000-40,000) to bring $62,500 and $50,000, respectively. Also representing the success of the sale's Eskimo/Northwest Coast category was a Chilkat blanket that achieved $35,000 and a Kingnait/Cape Dorset dancing bear sculpture by Pauta Saila that brought $18,750.
More Information: http://artdaily.com/news/75036/Northwest-Coast-raven-rattles-shake-way-to-success-in-Bonhams--Native-American-Art-Auction#.VNUlt53F9CY[/url]
Copyright © artdaily.org

3. PARIS.- Created at the initiative of tribal art dealers from the district of Beaux-Arts/Saint-Germain-des-Prés in the spring of 2014, Paris Tribal is to be held this year from 9 to 11 April 2015. The first edition was well received by the public and found its place in the landscape of events devoted to tribal art: French, European and American collectors were all present for this new occasion, proving that Paris is recognized as a pivotal centre for this specialty.
More Information: http://artdaily.com/news/75676/Paris-Tribal--A-second-edition-to-be-held-from-9-11-April-2015-celebrates-Paris-as-capital-of-tribal-arts#.VN5oCvnF9CY[/url]
Copyright © artdaily.org

4. SCOTTSDALE, AZ.- Scottsdale Auctions & Appraisals, a gallery specializing in Pre-Columbian, Classical, Egyptian, Tribal & Native American Art announced its
latest online fine art auction - Fine Pre-Columbian and Tribal Art, Classical and Asian Antiquities – featuring more than 400 lots of authentic examples from around the world. Offered on LiveAuctioneers auction bidding format allows bidders to register and then place bids at their own pace right up until each auction’s closing.
More Information: http://artdaily.com/news/75738/Scottsdale-Auctions---Appraisals-announces-its-latest-online-fine-art-auction#.VN5mifnF9CY[/url]
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Tribal Art Exhibitions Winter 2015


1. NEW YORK- Plains Indian art at the Metropolitan Museum: It began with horses and ended in massacre. The zenith of the cultures that are celebrated in “The Plains Indians: Artists of Earth and Sky,” a wondrous show at the Metropolitan Museum, lasted barely two hundred years. It started in 1680, when Pueblo Indians seized the steeds of Spanish settlers whom they had driven out of what is now New Mexico. The horse turned the scores of Plains tribes—river-valley farmers and hunter-gatherers who had used dogs as their beasts of burden—into a vast aggregate of mounted nomads, who ranged from the Mississippi River to the Rocky Mountains, and from the Rio Grande into Canada, hunting buffalo, trading, and warring with one another. More Information: http://www.newyorker.com/magazine/2015/03/16/moving-pictures-art-world-peter-schjeldahl
2. PHILADELPHIA, PA.- For more than a thousand years, a cemetery on the banks of the Rio Grande Coclé in Panama lay undisturbed, escaping the attention of gold seekers and looters. The river flooded in 1927, scattering beads of gold along its banks. In 1940, a Penn Museum team led by
archaeologist J. Alden Mason excavated at the cemetery, unearthing spectacular finds—large golden plaques and pendants with animal-human motifs, precious and semi-precious stone, ivory, and animal bone ornaments, and literally tons of detail-rich painted ceramics. It was extraordinary evidence of a sophisticated Pre-columbian people, the Coclé, who lived, died, and painstakingly buried their dead long ago.
More Information: http://artdaily.com/news/76329/-Beneath-the-Surface--Life--Death--and-Gold-in-Ancient-Panama--opens-at-the-Penn-Museum-in-Philadelphia#.VNvBDfnF9CY[/url]
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3. NEW YORK, NY.- The figures created by Mbembe master carvers from southeastern Nigeria are among the earliest and most visually dramatic wood sculptures preserved from sub-Saharan Africa. Beginning December 9, a unique body of these works has gone on view at The Metropolitan Museum of Art in Warriors and Mothers: Epic Mbembe Art. Created between the 17th and 19th centuries, and striking for their synthesis of intense rawness and poetry, these representations of seated figures—mothers nurturing their offspring and aggressive male warriors—were originally an integral part of monumental carved drums positioned at the epicenter of spiritual life, the heartbeat of Mbembe communities.
More Information: http://artdaily.com/news/74988/Metropolitan-Museum-of-Art-opens-exhibition-of-figures-created-by-Mbembe-master-carvers#.VNUmXp3F9CY[/url]
Copyright © artdaily.org

4. MEXICO CITY.- The exhibition “100 Years of the Great Temple: History of a Discovery” reconstructs, through never before published information, the first investigations begun a century ago by the archeologist and anthropologist Manuel Gamio at the site of the Templo Mayor (Great Temple) of México-Tenochtitlan. “This exhibition emphasizes his human facet and his passion for
archeology,” said Teresa Franco, the General Director of the Instituto Nacional de Antropología e Historia (INAH) (The National Institute of Anthropology and History) during the inauguration of the event.
More Information: http://artdaily.com/news/75215/100-years-of-the-discovery-of-the-Great-Temple-celebrated-with-an-exhibition-in-Mexico#.VNUiEJ3F9CY[/url]
Copyright © artdaily.org

5. DALLAS, TX.- The Dallas Museum of Art today announced the acquisition of an artistically significant pre-Columbian Maya vessel for its Arts of the Americas collection. This Late Classic (A.D. 700-900) ceramic vase is from the site of Quirigua in Guatemala, near the border with Honduras. Small, at only seven inches high, and striking, it features a modeled face, perhaps that of a Maya god. The vase is scheduled to go on view this summer in the Museum's Ancient Art of the Americas gallery on Level 4.
More Information:

6. CLEVELAND, OH.- The Cleveland Museum of Art presents Senufo: Art and Identity in West Africa, a rare selection of one of the most popular and studied forms of African art from three
countries in West Africa: Comte d'Ivoire, Mali and Burkina Faso. Senufo: Art and Identity in West Africa is the first presentation of Senufo art in the United States in the last 50 years and includes more than 160 works borrowed from nearly 60 public and private collections in Europe, Asia, Africa and North America, many of which have never before been publically displayed. More Information:


7. KLEINBURG, ON.- The mystique and spiritual power of the North are explored in the McMichael Canadian Art Collection's new exhibition Northern Narratives, running until May 17, 2015. The show features seventy works, including drawings, paintings, sculptures, and prints that address the cultural interchange between Aboriginal and non-Aboriginal peoples in the North. Also included are two film excerpts documenting Lawren Harris's 1930 trip to the Arctic. More Information: http://artdaily.com/news/76468/Works-by-the-Group-of-Seven-and-Inuit-artists-come-together-at-McMichael-in-Northern-Narratives#.VPo6FVPF9oE[/url]
Copyright © artdaily.org

8. SEATTLE, WA.- Drawn from the celebrated Native American art collection of Charles and Valerie Diker, Indigenous Beauty: Masterworks of American Indian Art from the Diker Collection is organized by the American Federation of Arts (AFA) and features 122 masterworks representing tribes and First Nations across the North American continent. Premiered in Seattle on February 12, 2015 at the Seattle Art Museum, the exhibition is the first traveling exhibition drawn from this collection and showcases a number of recent acquisitions never seen before by the public. More Information: http://artdaily.com/news/76657/Masterworks-of-American-Indian-art-from-the-Diker-Collection-premiere-at-the-Seattle-Art-Museum#.VPo8GFPF9oE[/url]
Copyright © artdaily.org

Stolen Art Winter 2015

1. GRASSE (AFP).- A former electrician and his wife who kept 271 works of art by Picasso in their garage for close to 40 years went on trial in France on Tuesday accused of possessing stolen goods. Pierre Le Guennec, now 75 and retired, says the world-famous artist and his wife Jacqueline gave him the oil canvases, drawings and Cubist collages when he was doing work on the last property they lived in before Picasso died in 1973. But some of the artist's heirs, including his son Claude, suspect otherwise and filed a complaint against the couple, who were charged in 2011.
More Information: http://artdaily.com/news/76373/Former-electrician-and-his-wife-on-trial-in-France-over-271--stolen--Pablo-Picasso-works#.VNux2vnF9CY[/url]
Copyright © artdaily.org

2. LOS ANGELES- Nine works of art that were stolen six years ago in one of the largest art heists in L.A. history have been recovered by investigators from the Los Angeles Police Department and the
FBI, according to court documents obtained by the Los Angles Times.
More Information: http://www.latimes.com/local/lanow/la-me-ln-huge-la-art-heist-cracked-20141217-story.html

3. Already the drone is a well-established tool for photographers wishing to capture aerial footage without the eye-watering expense of a helicopter, but artists are now finding many more imaginative uses. More Information:
http://www.theguardian.com/culture-professionals-network/2014/dec/19/2015-drones-art-creative-examples10.




4. MILWAUKEE.- It was a little after 10PM when Frank Almond, the concertmaster of the Milwaukee Symphony Orchestra (MSO), walked out of Wisconsin Lutheran College into the sub-zero January night. He had just finished a chamber music performance at the small school, located in the quiet suburb of Wauwatosa, and he was headed home. As Almond opened the passenger door of his car to put his violin inside, a 41-year-old ex-con named Salah Salahadyn allegedly walked up to Almond and tased him unconscious. More Information:
https://news.vice.com/article/best-of-vice-news-2014-the-5-million-violin-and-the-telltale-taser-inside-an-epically-stupid-crime

Isis, Mosul, Ninevah and Your Museum Winter 2015


History  tells us that man has an unlimited capacity to act without reason or compassion like an animal. There are many examples where mankind has evolved and rejected irrational behavior. However, some like the Nazis or ISIS are propelled along their path by blind allegiance to an ideology that provides the simple choice of acceptance or death. The past few months have given us all a seemingly endless stream of atrocity after atrocity that follow competitively each attempting to be more horrendous than the previous. In a CNN piece  Sturt W. Manning,  director of the Cornell Institute of Archaeology and Material Studies and chair of the Department of Classics at Cornell University suggested the following: "What can we do in response to this assault on our heritage?..Providing educational opportunities and empowering communities to learn more about their cultures and histories, and those of others, is one of the best ways to eradicate
destructive hatred and violence."

 Really?  Muamar el-Gadhafi, Nicolae Ceausescu, Saddam Hussein, Adolf Hitler, Joseph Stalin, Kim Jong-Il, Ayatollah Ali Khamenei, Bashar Hafez al-Assad , and Abu Bakr al-Baghdadi . When has education been a factor in changing course for these tyrants. Unfortunately, there is no middle ground -  either you impose your will on them or they impose their will on you. Many priceless archaeological sites will be destroyed before any forces at this time in world history will assume the responsibility of preserving the heritage of these countries. But the discussion is bigger than even the Middle East and ISIS. With the destruction of art the international community must re-engage  to consider cooperative efforts in strategic planning to save the heritage of  threatened sites around the world. Clearly the role of  institutional cooperative collecting must be reassessed as a custodial firewall to prevent the extinction of  cultural heritage.  In this effort territorial and nationalistic agendas are just no longer relevant in the world today.

1. NINEVAH - by Mary Chastain2 Jan 2015354
The Islamic State (ISIS/ISIL) set their eyes on another historical site to demolish as they continue to establish their caliphate across Iraq. Residents near Mosul told Assyrian website Ankawa
the militants’ plan to blow up the walls of Nineveh, which date back to almost 700 B.C.
Unnamed sources said the Islamic State leaders told members to set booby traps along the walls. If the Iraqi army attempts to liberate the area, the militants must “complete the bombing of the
historic walls.” The walls are attributed to King Sennacherib, who rebuilt the city during his reign beginning in 704 B.C., and consist of a seven and a half mile barrier around the city—
presumably to protect it from attack when it served as the capital of ancient Assyria. Nineveh was so important and Sennacherib’s contributions so great that some archaeologists have gone as
far as to attribute to him the construction and maintenance of the ancient Hanging Gardens, long believed to be in Babylon.
The Islamic State moved to the Nineveh Plain in early August, “the last stronghold of Assyrians in Iraq.” Over 200,000 Assyrians fled to the Dohuk and Arbel areas.
When militants captured Mosul, Iraq’s second largest city, in June, they proceeded to destroy shrines and tombs important to Christians and Muslims because they allegedly “distort Islam”
and encourage “worship of others besides God.” They destroyed a shrine to Jonah, the biblical prophet, and Yunus in the Koran. The shrine was built in the eighth century BC. Worshippers
believe that the prophet Jonah, most famous for surviving being swallowed by a whale in the Biblical legend, is buried there. Saddam Hussein renovated the shrine, and it remained a popular
site for pilgrims.
Jonah and Nineveh are connected in the Book of Jonah in the Hebrew Bible. God tells Jonah to walk to Nineveh to tell the Ninevites about their destruction. The people fasted and repented and
God allowed them to live, which upset Jonah. God provided Jonah a plant, but proceeded to destroy the plant. This also upset Jonah, but God turned it into a lesson to help Jonah understand
why he saved the Ninevites:
¹ºBut the Lord said, “You have been concerned about this plant, though you did not tend it or make it grow. It sprang up overnight and died overnight. ¹¹And should I not have concern for the
great city of Nineveh, in which there are more than a hundred and twenty thousand people who cannot tell their right hand from their left—and also many animals?”
The story is so important that the Assyrian Christians started The Fast of Nineveh, later also adopted by other Oriental Orthodox religions. The three-day fast commemorates the three days it
took Jonah to travel to Nineveh and the three days he spent in the belly of the whale when he did not go to Nineveh as God asked him. It is also connected to a plague leashed upon northern
Iraq in the 9th century. The bishop used the Book of Jonah and “ordered a 3-day fast to ask for God’s forgiveness.” The plague went away after three days.
Islamic State jihadists have targeted a number of ancient structures in the region. The group attempted to destroy the Crooked Minaret, an 840-year old tower, but residents immediately
protected it and told the terrorists they would have to kill the people as well.
Turkey fears the terrorist group might destroy the Suleyman Shah tomb in Aleppo, Syria, built in Turkish territory under a treaty with France when the French ruled Syria. Suleyman Shah was
the grandfather of Osman I, the founder of the Ottoman Empire. The Empire, also known as the Turkish Empire, was founded in 1299. It expanded to southeast Europe, western Asia, Caucasus,
North Africa, and the Horn of Africa. It collapsed after World War I and evolved into modern-day Turkey. The government sent security to the tomb in April.
“We can’t leave that place, which is ours through agreements, unprotected,” said Turkish historian Ilber Ortayli. “Regardless of pride, this is important for our historical memory. This is
important for everyone, not just for Turks.”

 2. MOSUL -Kareem Shaheen in Beirut Thursday 26 February 2015 16.26 EST  Last modified on Friday 27 February 2015 08.55 EST 
Islamic State militants ransacked Mosul’s central museum, destroying priceless artefacts that are thousands of years old, in the group’s latest rampage which threatens to upend millennia of
coexistence in the Middle East.
The destruction of statues and artefacts that date from the Assyrian and Akkadian empires, revealed in a video published by Isis on Thursday, drew ire from the international community and
condemnation by activists and minorities that have been attacked by the group.
“The birthplace of human civilisation … is being destroyed”, said Kino Gabriel, one of the leaders of the Syriac Military Council – a Christian militia – in a telephone interview with the
Guardian from Hassakeh in north-eastern Syria. The destruction took place in Mosul, the Iraqi city that has been under the control of Isis since June when jihadi fighters advanced rapidly
across the country’s north.
“In front of something like this, we are speechless,” said Gabriel. “Murder of people and destruction is not enough, so even our civilisation and the culture of our people is being destroyed.”
Isis destroys thousands of books and manuscripts in Mosul libraries
The five-minute video, which was released by the “press office of the province of Nineveh [the region around Mosul]”, begins with a Qur’anic verse on idol worship. An Isis representative then
speaks to the camera, condemning Assyrians and Akkadians as polytheists, justifying the destruction of the artefacts and statues.
The man describes the prophet Muhammad’s destruction of idols in Mecca as an example.
“These statues and idols, these artifacts, if God has ordered its removal, they became worthless to us even if they are worth billions of dollars,” the man said.
Isis militants then smash the statues in the Mosul museum with hammers and push them to the ground, watching them break into tiny fragments. The footage also shows a man dressed in
black at a nearby archaeological site, inside Mosul, drilling through and destroying a winged bull, an Assyrian protective deity, that dates back to the 7th century BC
“When you watch the footage, you feel visceral pain and outrage, like you do when you see human beings hurt,” said Mardean Isaac, an Assyrian writer and member of A Demand for Action, an
organisation dedicated to protecting the rights of the Assyrians and other minorities in Syria and Iraq.
A caption says the artefacts did not exist in the time of the prophet, and were put on display by “devil worshippers”, a term the militant group has used in the past to describe members of the
Yazidi minority.
A professor at the Archaeology College in Mosul confirmed to the Associated Press that the two sites depicted in the video are the city museum and Nirgal Gate, one of several gates to Nineveh,
the capital of the Assyrian empire.
“I’m totally shocked,” Amir al-Jumaili told the AP “It’s a catastrophe. With the destruction of these artefacts, we can no longer be proud of Mosul’s civilisation.”
Isis took control of Mosul last summer in a lightning advance that led to the eviction of thousands of Christians and other minorities from their ancestral homelands in the Nineveh plains,
amid reports of forced conversions.
“We cannot expect anything else from Daesh,” said Gabriel, using the Arabic acronym for Isis.
He said the international community must act to prevent the destruction and looting of the artifacts.
“The loss is the loss of the entire world,” he said.
Isaac said: “While the Islamic State is ethnically cleansing the contemporary Assyrian populations of Iraq and Syria, they are also conducting a simultaneous war on their ancient history and
the right of future generations of all ethnicities and religions to the material memory of their ancestors.”
The destruction of the priceless treasures comes days after Isis kidnapped 220 Assyrian Christian villagers in north-eastern Syria.
It is the latest assault in a campaign against coexistence in the region, especially in Iraq, which has seen the displacement of many of its Chaldean Christians, who have lived there with many
ethnic minorities since the religion’s dawn.
Isis has also attempted to starve and enslave members of the Yazidi minority in Iraq.
Irina Bokova, the director general of Unesco, the UN cultural agency, said she was deeply shocked at the footage showing the destruction and has asked the president of the UN security council
to convene an emergency meeting “on the protection of Iraq’s cultural heritage as an integral element for the country’s security”.


3. The Secret Life of ISIS Leader Abu Bakr al-Baghdadi By Tracy Connor June 16th 2014
 The biggest threat to Middle East security is as much a mystery as a menace — a 42-year-old Iraqi who went from a U.S. detention camp to the top of the jihadist universe with a whisper of a
backstory and a $10 million bounty on his head.
He's known as Abu Bakr al-Baghdadi, head of the ruthless Islamic State in Iraq and al-Sham, and he oversees thousands of fighters in his quest to create a Sunni Islamic caliphate straddling the
border of Iraq and Syria. His biometrics may have been cataloged by the soldiers who kept him locked up at Camp Bucca in Iraq — where he was recalled as "savvy" but not particularly
 
"They know physically who this guy is, but his backstory is just myth," said Patrick Skinner of the Soufan Group, a security consulting firm.
Jihadist propaganda has painted him as an imam from a religious family descended from noble tribes, and a scholar and a poet with a Ph.D. from Baghdad's Islamic University, possibly in
Arabic. Skinner said it's known he was born in Samarra and it's believed that he was active in Fallujah in the early 2000s, probably as a commander in charge of 50 to 100 men.
He ended up at Camp Bucca in 2005, where the commander in charge of the U.S. detention facility could not have imagined he would one day be capturing city after city in Iraq.
"He didn't rack up to be one of the worst of the worst," said Col. Ken King, who oversaw Camp Bucca in 2008 and 2009.
Baghdadi may have tried to manipulate other detainees or instigate reactions from the guards, but he knew the rules well enough not to get in serious trouble.
"The best term I can give him is savvy," said King, who first spoke to the Daily Beast.
The colonel recalled that when Baghdadi was turned over to the Iraqi authorities in 2009, he remarked, "I'll see you guys in New York," an apparent reference to the hometown of many of the
guards. "But it wasn't menacing. It was like, 'I'll be out of custody in no time,'" King said.
"He's managed this secret persona extremely well and it's enhanced his group's prestige."
If that's what he meant, he was right. It wasn't long before Baghdadi was rising through the ranks of the Islamic State of Iraq, the successor to Abu Musab al-Zarqawi's al Qaeda in Iraq.
And when the organization's two leaders were killed in 2010, Baghdadi stepped into the void.
He kept a low profile compared to other militants, with their grandiose taped statements — one key to his survival, analysts said.
"When you start making videos and popping off, it increases the chance you're going to get caught or killed," Skinner said. "He's been around five years, and that's like cat years. It's a long
time." Another benefit to his mystique: recruitment of younger fighters. "He's managed this secret persona extremely well, and it's enhanced his group's prestige," said Patrick Johnston of the
RAND Corporation. "Young people are really attracted to that." Baghdadi — which is not his birth name — uses a host of aliases and is said to wear a bandana around his face to conceal his
identity from everyone except a very tight inner circle that is almost certainly comprised only of Iraqis. There are only two known photos of him, one put out by the Iraqi Interior Ministry and
one by the U.S. Rewards for Justice Program, which has offered $10 million for his capture — a bounty second only to the reward for Ayman al-Zawahiri, chief of al Qaeda's global network.
Skinner calls Baghdadi "hyper-paranoid," but Johnston notes that despite the shroud of secrecy, he is apparently closely involved in day-to-day operations.
When the fighting in Syria intensified in the summer of 2011, Baghdadi saw an opportunity and opened a branch there and changed the name of his group to ISIS. He took over oil fields, giving
him access to "riches beyond his wildest dreams," Skinner said.
ISIS reportedly controls tens of millions to $2 billion in total assets — built through criminal activities like smuggling and extortion, according to the State Department — but Baghdadi's
ambitions have more to do with borders than bank accounts.
In a June 2013 audio recording, he vowed to erase Iraq's "Western-imposed border with Syria" and called on his followers to "tear apart" the governments in both countries.
Now, as ISIS consolidates its hold on the areas it has seized in Iraq and has moved within 60 miles of Baghdad, the world is waiting for Baghdadi's next move.
Whatever happens, Skinner said he's likely to remain an enigma.
"No one knows anything about him," he said. "He can be a Robin Hood. He could be Dr. Evil. It's very hard to fight a myth."
Tracy Connor is a senior writer for NBC News. She started this role in December, 2012.

4. ISIS MASTER PLAN - In fact, the Islamic State is in control of significant territory and resources in Iraq and Syria, including major oil fields in the region. Recently, however, social media
sites have been flooded with images of what seems to be ISIS’ five year plan. “As well as plans to expand the caliphate throughout the Middle East, North Africa, and large parts of western Asia,
the map also marks out an expansion in parts of Europe,” such as Austria, the Balkans and Spain,
The translated version of the Islamic State’s planned regional expansion of the pan-Islamic ‘caliphate’ (Walid Shoebat)
Walid Shoebat, a self-proclaimed former Palestinian terrorist turned Palestinian-American Christian, describes ISIS’ self-declared pan-Islamic caliphate over the coming decade as the 10-state
solution, which we’ve been able to discern as follows:
1.Orobpa: Balkan states, Hungary, Austria, Moldova, Romania and Black Sea Ukraine (Crimea-Odessa);
2.Andalus: Portugal and Spain;
3.Sham-Iraq: Saudi Arabia, Iraq, Syria, Lebanon, Jordan and Israel;
4.Anathol: Western Turkey;
5.Khurasan: Russian Caucasus (Chechnya, Dagestan, Ingushetia), Azerbaijan, Kazakhstan, Kyrgyzstan, Turkmenistan, Tajikistan, Uzbekistan, Eastern Iran, Afghanistan, India, Pakistan and
Indonesia;
6.Hijaz: Arabian Gulf States, Southern Saudi Arabia and Northern Oman;
7.Al Kinana (Qinana): Egypt, Eastern Libya, Northeast Chad and Northern Sudan;
8.Maghreb: Libya, Tunisia, Algeria, Morocco and Mauritania;
9.Yaman: Yemen and Southern Oman;
10.Habasha (Land of): Ethopia and Somolia.


Is ISIS issuing empty threats so the West keeps busy trying to asses the danger while they execute people and have the world shiver at their brutality? Or are we truly witnessing the worst
terrorist threat in recent history?
This terrorist group has been talking about their plans to take back many parts of Europe, Asia and Africa, also making it clear that no one is to feel safe anywhere, while the quest for creating
their pan-Islamic caliphate is on.

Monday, March 09, 2015

Plains Indian Art at the Met March 2015

"I saw this exhibition when it opened in Kansas City. I said it then and I will repeat it now. This exhibition is the most important assembling of great objects since Sacred Circles opened in 1977.  Arguably with the inclusion of all the great objects from Europe one might opine that it is more important. For 2015 this is a must see if you are anywhere near New York City.


1. NEW YORK, NY.- "A major exhibition featuring extraordinary works created by Native American people of the Plains region will go on view at The Metropolitan Museum of Art, beginning March 9. Bringing together more than 150 iconic works from European and North American collections—many never before seen in a public exhibition in North America—The Plains Indians: Artists of Earth and Sky will explore the beauty, power, and spiritual resonance of Plains Indian art. Ranging from an ancient stone pipe and painted robes to drawings, paintings, collages, photographs, and a contemporary video installation, the exhibition will reflect the significant place that Plains Indian culture holds in the heritage of North America and in European history. It will also convey the continuum of hundreds of years of artistic tradition, maintained against a backdrop of monumental cultural change. A selection of modern and contemporary works not seen at other venues of the exhibition will provide a compelling narrative about the ongoing vitality of Plains art.
Thomas P. Campbell, Director and CEO of the Metropolitan Museum, said: "Through outstanding works of art from the Plains region, this ambitious exhibition demonstrates the long history of change and creative adaptation that characterizes Native American art. It is an important opportunity to highlight the artistic traditions that are indigenous to North America and to present them in the context of the Met's global collections."
Works on View
Drawn from 81 institutions and private collections in France, Germany, Austria, Switzerland, Canada, and the United States, the exhibition will represent the art traditions of many Native Nations. The distinct Plains aesthetic will be revealed through an array of forms and media: sculptural works in stone, wood, antler, and shell; porcupine quill and glass-bead embroidery; feather work; painted robes; ornamented clothing; composite works; and ceremonial objects, works on paper, paintings, and photography.
Organized chronologically, the first gallery will showcase pre-contact works, including important sculptural pieces in stone and shell. One of the highlights in this room will be the 2,000-year-old Human Effigy Pipe made of pipestone, depicting a deified ancestor or mythical hero. Influential works from adjacent regions are included in this section.
The 19th-century works in the exhibition will include key pieces long associated with westward expansion. Among them are calumets, the long and elaborate pipes shared and given as gifts in the systems of protocol that were developed to establish diplomacy and trade between Europeans and the inhabitants of the “New World” whom they encountered on the Plains.
The reintroduction of the horse to North America by the Spanish, beginning at the end of the 16th century, revolutionized Plains Indians cultures in many ways—particularly as a boon to the buffalo hunt. In the exhibition, there will be a section presenting some of the best examples of 19th-century horse gear, weapons, clothing, and shields associated with a florescence of culture in the area. One highlight among them is a Lakota horse effigy, believed to honor and memorialize a horse that died in battle as the result of multiple gunshot wounds.
The substantial changes brought on by reservation life, beginning in the 19th century, engendered various artistic responses, ranging from instances of assimilation to acts of resistance to confinement. They will be conveyed by several masterworks in the exhibition, including important regalia used for the practice of prophetic religions. Among them are an elaborate bead-embroidered Otoe-Missouria Faw Faw coat with symbols, associated with ceremonialism and the desire to restore balance in a world that had become untenable; and a richly painted Arapaho Ghost Dance dress with visionary symbols associated with ritual practices.
Record books, paper, pencils, and ink were introduced on the Plains during the last quarter of the 19th century by settlers and traders. Among many fine examples of those included in the exhibition, the highlight will be The Maffet Ledger, a book consisting of 105 drawings, created by more than 20 Northern and Southern Cheyenne warrior artists to record their exploits in battle.
Modern and contemporary works of art will be exhibited near the end of the exhibition. Traditional-style works were still produced in the early 20th century for Wild West shows, agricultural fairs, and Fourth of July parades, and for the powwow, inter-tribal opportunities for the celebration of culture, dance, and art. Watercolors and “easel paintings” grew from long-standing Plains graphic traditions and through dialogue with other Native North American regions by the mid-20th century. Many fine examples of paintings from the era will be presented in the exhibition. Brilliantly executed beaded works by such artists as Joyce and Juanita Growing Thunder Fogarty (b. 1950 and b. 1969, both Assiniboine-Sioux), Rhonda Holy Bear (b. 1959(?), Sans Arc, Two Kettle and Hunkpapa Lakota), and Jodi Gillette (b. 1959, Hunkpapa Lakota) will also be included in the exhibition.
The final gallery will also shed new light on 20th- and 21st-century works by artists of Plains descent, as well as by Native American artists from outside the region who have been inspired by its traditions. On view in this gallery will be one element of Edgar Heap of Bird’s (b. 1954, Cheyenne and Arapaho) site-specific installation Building Minnesota (1990), as well as a captivating four-channel video installation piece by Dana Claxton (b. 1959, Hunkpapa Lakota) called Rattle (2003) that incorporates the rhythmic images, colors, and sounds of artistic and spiritual life on the Plains, a perspective that endures in the exhibition galleries through the application of 21st-century media. " http://artdaily.com/news/76986/Exhibition-exploring-beauty--power--and-spiritual-resonance-of-Native-Indian-art-opens-at-the-Met#.VP4uTf50xGE