Wednesday, June 23, 2010

Pre-Columbian News


"A massive stone sculpture of the Aztec goddess Tlaltecuhtli is displayed for the first time prior to the opening of the exposition "Moctezuma II, Times and Destiny of a Ruler" at Mexico City's Templo Mayor museum, Wednesday, June 16 2010. The largest Aztec stone sculpture ever found with its original coloring, the deity sat atop a Mexico City site where archaeologists believe the ashes of Aztec rulers were buried. Although no burial site has been found, offerings have been found nearby since 2007 and now archaeologists plan to dig a lateral tunnel in hopes of finding the tombs they still believe are nearby. AP Photo/Eduardo Verdugo. "
By: Mark Stevenson, Associated Press Writer

MEXICO CITY (AP).- Archaeologists found some of the richest and most unusual Aztec offerings ever in excavations under a mammoth slab depicting an earth goddess and said Wednesday they hope to uncover an emperor's tomb nearby. The seven offerings of strange and unparalleled oddities found under the stone slab depicting the goddess Tlaltecuhtli include the skeleton of a dog or wolf dressed in turquoise ear plugs, jadeite necklaces and golden bells on its feet. The 4-meter (13-foot) long carving of Tlaltecuhtli (tlahl-tay-KOO-tlee) was found in 2006 near the edge of the Templo Mayor pyramid in downtown Mexico City. It was lifted out in 2007 and archaeologists began digging underneath. On Wednesday, the huge stone monument was put on display for reporters before its first public exhibition. The sculpture itself challenges the public perception of Aztec monuments as bare stone-colored carvings, because it preserves a half-dozen original colors in which it was originally painted, inc ... More


MEXICO CITY.- Recent interdisciplinary investigations regarding 31 marine fossils found at Palenque Archaeological Zone, in Chiapas, reveal that Maya people conceived their beliefs parting from this kind of vestiges, so their idea of the underworld was associated to water.

For Palenque inhabitants, marine fossils were the convincing proof of the land being covered by the sea long time ago, and parting from this fact they created their idea of the origin of the world, declared archaeologist Martha Cuevas, responsible, with geologist Jesus Alvarado, of research conducted by the National Institute of Anthropology and History (INAH) and the National Autonomous University of Mexico (UNAM).

Ongoing for 3 years, the investigation is oriented to understand symbolism given by ancient Mayas to Prehistoric vestiges, specifically the 31 specimens found at the archaeological site.

The INAH researcher mentioned that petrified rests have been found mainly at funerary contexts, standing out the fossils of different marine animals, shark teeth and stingray spines deposited as part of funerary offerings.

“During investigation conducted at the North Group temples and the structure in front of them, slabs with marine fossils were used by Mayas as tombstones or offered to deities, which is important in the study of Maya cosmogony”.

Until now, 31 fossils from different periods have been discovered, being the earliest from the Paleocene, nearly 63 million years ago. “Vestiges were used in ritual contexts during the Late Classic period (600-850 AD), when they were found by Palenque people”.

This research “looks forward to know if it was through contact with fossils more than 1,200 years ago, that these elements were incorporated to their world view.

“We believe that parting from these probable chance discoveries they began forming the idea of the creation of the world that we know thanks to iconographic representations and hieroglyphic texts left behind, as well as myths that are part of oral tradition”, commented Martha Cuevas.

She added that “according to information from Colonial myths, for Palenque people these fossils were testimonies of land being covered by the sea in ancient times; when gods ordered water to retire, their city emerged and the actual era began.

“Mayas from Palenque had the notion that the Earth was different thousand years ago, and that the world was mutable, subject of transformation”.

Confirming this would mean that they inferred that marine fossils were important because they referred to the moment of the origin of humanity and were related to death; they believed that when people died they returned to their place of origin.

“The fact of have used fossils in funerary contexts is related with the conception they had about the underworld, as the aquatic destiny they reached after dying”, added up the INAH archaeologist.

Martha Cuevas also mentioned that research includes the study of iconographic representations and hieroglyphic texts found at the site, which, in a way, are related with the fossils.

An example of this is the 14th Tableaux. It represents a scene of the mythic trip to the underworld of the Maya ruler Kan Balam II to a remote epoch, 932,000 years back.

“According to the legend, when Kan Balam II died in 702 AD, his brother and successor K’an Joy Chitam II ordered the creation of this remarkable relief. We can see in the stele a dancing Kan Balam II and his mother, also deceased, Ts’ak Ahaw.

“The bottom of the relief shows 3 levels marked with glyphs that indicate the place where the characters are found; the expressions “nab”, body of water, and “hets’an Kák nab”, calmed sea, refer to the aspect of the world during that mythic age, when everything was water and gods had not ordered land to emerge”.

“Painted on vessels we have found representations of fish species, shark teeth and stingray spines similar to those found in fossils”, she concluded.




NEW HAVEN (AP).- Incan artifacts removed from Machu Picchu nearly a century ago and held by Yale University belong to the people of Peru, U.S. Sen. Christopher Dodd said Wednesday. Peru has had a lawsuit pending in federal court in Connecticut since 2008 demanding Yale return artifacts taken by scholar Hiram Bingham III between 1911 and 1915. Yale says it returned dozens of boxes of artifacts in 1921 and that Peru knew it would retain some. Dodd, a member of the Senate Foreign Relations Committee and chairman of its subcommittee on Latin America, traveled to the region last week and met with Peruvian President Alan Garcia and other government officials to discuss the dispute. The Connecticut Democrat, who is retiring, said he has worked for years with Yale and Peru to seek a resolution. "The Machu Picchu

MEXICO CITY.- The Ballgame was for ancient Mesoamerican peoples an allegory of the access to the underworld as well as a possibility to reborn, and it is present as part of the FIFA World Cup celebration in South Africa through the exhibition Worldview and Skills: Ballgame in Mesoamerica, an archaeological collection about this practice. The show was inaugurated in May 6th 2010 at the Mapungubwe Museum at the University of Pretoria, in Johannesburg, and will be open until June 10th 2010. South Africans and visitors will be able to admire Mexican archaeological heritage from different museums part of the National Institute of Anthropology and History (INAH). The Mexican Ambassador to South Africa, Luis Cabrera, and the Dean of the University of Pretoria, Professor Cheryl de la Rey, presided at the inauguration ceremony, attended by officers of the South African Government, members of the Mexican ... More

Research to Take Place at El Tajin Using LIDAR Technology
MEXICO CITY.- Altars, plazas and ballgame courts, among other Prehispanic structures that are still buried at El Tajin, Veracruz may be detected by using LIDAR (Light Detection and Ranging) devises. Archaeologist Patricia Castillo Peña, academic director of the site in custody of the National Institute of Anthropology and History (INAH) informed that mapping the archaeological zone is a project that will allow to have detailed register of ancient structures. She commented that the initiative is being revised by the INAH Archaeology Council. In case of being approved, an agreement between INAH and Petroleos Mexicanos (PEMEX) will be set to determine the company with the LIDAR technology that may conduct the inspection, to be selected by PEMEX. The INAH researcher declared that extensive exploration took place in the northern and central regions of Veracruz as part of the PEMEX Gulf Tertiary Oil Project. Digital mapping of the a ... More

Archaeological Finding Confirms Ixcateopan Produced Cotton
MEXICO CITY.- Ixcateopan, in Guerrero, was one of the last settlements to be subjugated by Mexica Empire, becoming tributary in the late 15th and early 16th centuries; at this archaeological zone, specialists from the National Institute of Anthropology and History (INAH) discovered tools that confirm that people spun cotton, used to confection warrior garments in Tenochtitlan. During the most recent exploration season at the site located 36 kilometers away from Taxco, archaeologists found tools, mainly spindles, when excavating remains of rooms. Raul Barrera, in charge of the archaeological project, informed that this finding, combined with the name in Nahuatl that means “Cotton Temple”, confirms that Ixcateopan delivered important amounts of cotton thread to Tenochtitlan, Texcoco and Tlacopan seignories. “In some of these rooms was spun the cotton used to create the warrior garments. This information helps us ... More

Giant Maya Figureheads to be Restored
MEXICO CITY.- Six giant figureheads at Chakanbakan Archaeological Zone, Quintana Roo, considered the greatest and among the earliest in the area, will be restored by specialists of the National Institute of Anthropology and History (INAH). Created more than 2,300 years ago, these sculptures remind the Olmeca style, which represented deities with jaguar faces, revealing the adoption by Maya of elements from earliest cultures. Intervention to figureheads made out of stucco, clay and stone is coordinated by Gerardo Calderon and conducted by specialists from the INAH National Coordination of Cultural Heritage Conservation (CNCPC). “A team of restorers will begin an integral cleaning in May 2010, followed by plastering and reintegration of small missing parts, as well as consolidation”, informed archaeologist Fernando Cortes, in charge of the archaeological zone. He added that during conservation work, restorers will take ... More

Burials Were Discovered at Tlatelolco
MEXICO CITY.- More than 130 burials, most likely from the 16th century, were found at the Great Base of Tlatelolco Archaeological Zone, in Mexico City, during the recent exploration season. The remains are being analyzed to determine their age. First traces of this unprecedented funerary complex were registered between 2008 and 2009. The group of skeletons was found placed parting from the center of the Prehispanic structure, from where 126 of 131 registered skeletons were recovered by archaeologists of the National Institute of Anthropology and History (INAH); the rest were left in site for conservation reasons. Archaeologist Salvador Guilliem Arroyo, director of the archaeological project, commented that in order to determine temporality and ethnic affiliation of individuals, the phase of analysis continues, studying the skeletons, associated material (Prehispanic and Colonial ceramics, wood fragments, textile rests and meta ... More

Thursday, June 17, 2010

Into the Archives: Facts to Know when hiring an Appraiser

This article is based on a pamphlet the International Society of Appraisers wrote five years ago. We have updated and expanded it. -John Buxton

Question 1. "What qualifies you to appraise my property?"

A qualified appraiser has formal education in appraisal theory, principles, procedures, ethics, and law. The appraiser should be up to date on the latest appraisal standards. Continuing education and testing are the only ways to ensure this competence.The appraiser you hire should be familiar with the type of property you want appraised and know how to value it correctly.
Expertise in a particular type of property is not enough if the "expert" does not know how to evaluate an item for its appropriate worth. Without appraisal training, these "experts" have no way of understanding the complicated variety of marketplace definitions that are used to determine appropriate values for appropriate uses.
For example, a museum curator may be able to authenticate a work of art, or a jeweler may be able to determine the identity of a gemstone, but neither may be able to value those items correctly unless they follow appropriate appraisal principles and procedures.

Solution 1: Where do you find a qualified appraiser?

First call all of the three major personal property appraisal organizations. These are American Society of Appraisers (ASA), Appraisers Association of America (AAA), and International Society of Appraisers (ISA). Once you have a few names, check with your local antique dealers, museum curators, insurance agents, or maybe even respected appraisers in other specialties. The generalist appraiser usually specialize in estate appraisals that cover everything from art to refrigerators (household contents). Often these appraisers have specialties in which they feel competent. There are specialty appraisers in decorative arts, fine arts, gems and jewelry, and machinery, so understand and carefully evaluate what you have and what you require in appraisal services.

For example, A fine art appraiser would not be a good choice for silver.

Question 2. "Do all appraisers have similar qualifications?"

No! There are many self-acclaimed personal property appraisers who have not completed any professional education! It is important to ask the prospective appraiser what type of formal appraisal education training he or she has received. Obtaining a copy of the appraiser's professional profile or resume can help you evaluate the appraiser's credentials; the burden is on the consumer to evaluate an appraiser's qualifications.

Solution 2. Ask the right questions!

Does the appraiser belong to one of the three personal property appraisal organizations?

Has the appraiser completed and been tested in appraisal methodology training?

What accreditations or certifications does the appraiser possess?

Has the appraiser taken and passed USPAP with in the past 5 years?

What product knowledge does the appraiser possess to appraise the property?

What ongoing continuing education does the appraiser possess?

Ask the appraiser for their resume.

Question 3: "How will you handle items which may be outside your specialty area?"

No appraiser should claim expertise in everything. ISA(International Society of Appraisers) recognizes over 220 areas of specialty knowledge. A good appraiser knows his or her limits, and is expected to consult with other experts when necessary.

Solution 3: Ask the appraiser for their recommendations.

If the appraiser is cavalier or blasé about assuming the responsibility for appraising property outside his or her specialty, you probably have picked the wrong appraiser.

Question 4. "What is your fee and on what basis do you charge?"

DO NOT hire an appraiser who charges a percentage of the appraised value, or charges a "contingency" fee. These practices are clearly conflicts of interests, and may result in biased values. The IRS will not accept an appraisal done with such fee arrangements.ISA Appraisers are prohibited by their Code of Ethics from charging a fee based on a percentage of the value of the property appraised. Hourly fees, flat rates, or per item charges are acceptable.

Solution 4: Ask your appraiser to provide a fee schedule and/or a contract.

It is a good business practice to have a contract stating in writing the expectations of both parties. Specifically, it is important to understand in writing how you will be charged. This contract will eliminate all misunderstandings and will significantly reduce the potential for appraiser liability from either the client or third parties relying on the document. Hourly fees usually range from $50 - $300 an hour depending on the appraisers qualifications and credentials.

Question 5. "What will the appraisal report be like?"

You should receive a formal, typed report that presents the information you need in a complete and organized way. Does the appraiser comply with USPAP (Uniform Standards of Professional Appraisal Practice)?

Solution 5. If you feel unsure, ask the appraiser for a sample appraisal report.

Although there are three different personal property organizations, there is one accepted standard that all three comply with as a requirement for their members and that is USPAP (Uniform Standards of Professional Appraisal Practice). For the first time in the history of personal property appraising, the U.S. government has endorsed an appraisal standard. In August 2008, an amendment to the Pension protection Act of 2006 (USPAP) was endorsed as the accepted industry standard. – JB

Kim Kolker, ISA AM & John Buxton, ISA CAPP
Expert African - Pre-Colmubian - Oceanic - American Indian
Buy - Appraise - Sell

Spring 2010 Tribal Art Auctions

The Spring 2010 auctions of African, Pre-Columbian, Oceanic, and American Indian art are, as of yesterday, complete with mixed reviews in both results and quality. Amidst the expected bad news there was definitely some positive indicators that ethnographic art is at least to some extent holding on in a down economy that promises to be around for awhile. For those that are selling middle level material this market is not for the faint of heart. If you have cash there are good bargains to be found in all areas.

Skinner, Boston - American Indian and Ethnographic Art - Sale 2506 - May 15, 2010
Out of a total of 641 lots only 69 went unsold at the auction. Presumably some of those sold in the after sale. At a slightly less than a 11 % buy in Skinner has to be pleased with this result. Significantly Skinner was reasonable in their estimates and were consequently able to sell a great deal of middle level material. Indian expert and Skinner curator Doug Deihl must still be be slightly stunned with the Segy Mobole mask that was estimated at $8,000 - $12,000 but sold for $106,650. The only other six figure lot (367) was a Plains pictorial beaded suitcase, which was estimated at $40,000 - $60,000 but sold for $124,425. One immediately concluded that this sale was the result of two crazy bidders locked in mortal combat. Not so for I am told the ultimate winner was a museum, which is bewildering to me. Considering what you could buy in American Indian for $125,000, this looks like quite a reach.

Bonhams, New York - African, Oceanic, and Pre-Columbian Art - Sale18189 - May 13, 2010

The Bonhams New York auction was by almost any measure a disaster with 187 lots being offered and 105 passed. The highest lot (2010) in the sale was a Tongan club which sold for $39,650. In this sale Bonhams offered a collection of Hawaiian material which received a mixed response. The Ex Stuart Hollander Bamana N'tomo mask was sold at$18,300 with an estimate of $50,000 - $70,000. This was the sleeper of the sale. This is a fine mask that had been exhibited and published in Kate Ezra's show at the Metropolitan. Lot 2066 featured an early ex Rasmussen standing Baga figure that was estimated at $150,000 to $200,000 but was bought in. The seated Baule that sold as lot 383 for 25,000 euros in the Verite sale In Paris in 2006 failed to make the estimate of $20,000 in this sale. There were a number of solid objects with collection history that failed to sell in this sale. While some of this can be attributed to an unpredictable market, some of the problems may be the results of estimates that were too high for this economic climate.

Bonhams, San Francisco - Native American Art - Sale No. 18132 - June 7, 2010
Of 440 lots in this sale 139 failed to sell for a buy in rate of over 30%. Certainly compared to Skinner's sale this effort fell short of what was achieved in Boston. Clearly the star of the Bonhams sale was lot 1146, the Tlingit/Haida eagle effigy bowl which was estimated at $50,000 - $80,000 sold for $146,000. It appears to me that while Skinner sold more the quality level was a bit higher at this Bonhams sale. There were 28 objects in the Bonhams sale that sold in the five figures as opposed to twelve in the Skinner sale which also had two lots in six figures.

Sothebys, New York -American Indian Art - Sale No. N08640 - May 14, 2010
Gross sales for this sale were $1,445,439 with 66 lots being offered and 25 lots failing to sell for a buy in rate of almost 38%. A fine Nez Perce man's beaded shirt (Lot 15) with an extensive collection history sold for $158,500. Two great well documented Yokuts baskets sold for $374,500 (lot 32) and $272,500 (lot 33). Disappointments included a beaded Blackfoot shirt (lot 9) that was passed with a low estimate of $70,000, a Nez Perce beaded hide dress (lot 14) with a low estimate of $60,000, and a late classic Navajo serape (lot 18) passed with a low estimate of $25,000.

Sothebys New York - American Indian, African, Oceanic and Other Works from the studio of Enrico Donati - Sale No. N08685 - May 14, 2010
In this single owner sale Sothebys offered 46 lots of which only 9 failed to sell for a buy in rate of almost 20%. Almost all of the kachinas offered exceeded their high estimates. The Eskimo Yupik mask from the Fred Harvey collection (lot 19) which was estimated to sell between $300,000 and $500,000, sold for $362,500. A large Haida feast bowl measured at 23" in length exceeded the high estimate of $90,000 by selling for $104,500. The total gross sales of these lots were $1,023,003.

Sothebys, New York - African, Oceanic and Pre-Columbian Art - Sale No. N08638 - May 14, 2010
In this sale Sothebys offered 158 lots with 34 failing to sell yielding a buy in rate if almost 22%. Many were stunned at the sale in lot 11 of the 9 1/4" very well documented wood Taino snuff tube for $290,500, which had a high estimate of $120,000. Also somewhat surprising was the sale of the Guanacaste terracottas which sold for $80,500 (lot 22 with a high estimate $12,000) and $68,500 (lot 25 with a high estimate of $25,000). The spectacular seated Helene Kamer (now Leloup) Veracruz figure in lot 46 was estimated to sell for as much as $150,000 sold for $278,500. The standing 20" Chinesco figure in lot 54 doubled the high estimate of $50,000 selling for $104,500. In lot 78 Sothebys offered a very well documented Austral Islands necklace that sold for $302,500 barely exceeding the low estimate. The Hawaiian cape in lot 84 failed to sell with a low estimate of $300,000. The Friede Mundugumor (lot 89) met all expectations exceeding the high estimate of $1,500,000 and selling for $2,089,500. Followers of Lega material had to be shocked with the sale of the Lega four-headed figure (lot 137) for $2,210,500 that had a high estimate of $50,000. This certainly illustrates the unpredictable nature of this market and suggests to me that new strong buyers are entering the market that are not influenced by past public or private sales history.

Christies, Paris - African and Oceanic art - Sale No. 5599 - June 15, 2010
This Christies sale included 144 lots of which 75 failed to sell for a buy in rate of 52%. Generally, this material was medium level which served as a drag on the better objects which failed to sell. Lot 30 included an equestrian Baule that was estimated between 350,000 and 400,000 euros and said to be "probably" 19th century failed to sell. Consensus on this was that it was not in a league to be considered at this level. A very fine Pitt Rivers Benin architectural panel (lot 59) 128 1/4" in length sold for a very reasonable 34,600 euros which was below the low estimate. The Hooper nail fetish (lot 72) has lost the clay head covering seen in the Hooper book but was estimated to sell between 400,000 and 600,000 euros but failed to find a buyer. This seemed to me based on the collection history and size (33 1/4") to be a bargain. The very fine rare early Fiji tapa cloth (lot 105) is documented as 19th century or earlier and sold for 19,375 euros. A fine possibly 19th century Sepik River Mei mask (lot 126) sold for 34,600 euros.

Sothebys, Paris - African and Oceanic art - Sale No. PF1017 - June 16, 2010
The gross sales for the 82 lots in this sale was 6,816,250 euros ($8,361,630). 29 lots were unsold giving a buy in rate of 35%. Although this buy in rate would generally be considered high with 13 pieces in six figures the sale certainly indicated both interest and market strength in this economy. John Friede's Oceanic art accounted for 3 of these lots selling for a total of over 1.5 million euros. Clearly the stars of the sale were the Kuyu head ( lot 72) selling for 576,750 euros, Hemba figure (lot 73) selling at 840,750 euros, the Chokwe staff (lot 74) selling at 660,750, and the small seated 19th century Chokwe figure (lot 75) which sold for 456,750 euros.

Pierre Berge, Paris - Ethnographic art - Kerchache Collection - June 13, 2010
This sale was a general auction of both fine art and 171 ethnographic items. 41 of these lots were unsold. With Kerchache's reputation and the obvious quality of the objects many pieces exceeded the estimates. The very fine early Bidjogo piece in lot 237 had a high estimate of 12,000 euros but sold for 42,000. The Dogon head (lot 248) was a rather esoteric object with a high estimate of 80,000 euros but ultimately sold for 140,000 euros. The Hongwe reliquary in lot 255 had some significant condition problems and a high estimate of 150,000 euros. This too was surpassed with a sale of 200,000. The Fang figure (lot 274) had a low estimate of 600,000 euros but did not sell. The star of the show was clearly the superb 19th century Chokwe seated figure which sold for 1,445,599 euros just missing the high estimate. A lots of interest were also the Konso figure in lot 376 which sold for 140,000 euros and the Jivaro shrunken head from lot 377 that sold for 60,000 euros, which I believe is a record price for this type of object.

In summation great object continue to sell well while everything else is very unpredictable. In the above sales there were a numbered of objects that should have sold but didn't . There were certainly some objects that never should have reached the prices they did. The good news we can take away from all this is that there is still some stability in this market. For all the negative news the auctions at this time appear to be doing better than the dealers. In this sort of economic climate there will always be opportunities.






Wednesday, June 16, 2010

Shango Galleries features Folk Art Collection

“HOT WE GOT!” –Willie Jinks

SHANGO GALLERY spent the day at the Arlington Highlands shopping center for the 1st Annual
Art in the Park festival hosted by f6 Gallery. Shango was one of the many participants, with over 100 artists, musicians, and vendors in attendance.

Art in the Park highlighted our
Folk Art collection which currently consists of work from over 60 nationally recognized Outsider, Naïve, and Folk artists.

Our booth featured our Folk Art collection with a life size hand-painted playhouse adorned with reproductions of
Sammy Lander’s “Orange Football player”, Mose Tolliver’s “Woman with Gray Topcoat”. Families were welcome to have their picture taken while tagging artistic creations of their own inside the play house.

Shango also featured pocket-sized narrative driven portraits by
Ann Grgich, religious theme paintings by Lucas Lorenzo and sons of a remote crafting village in Guerrero, Mexico, R.A Miller’s “U.S Flag” on tin, and two large hand painted doors by the self-taught artist Willie Jinks. “HOT WE GOT!” exclaimed Jinks in his bold painting on wood.




Hand painted reproductions of Mose Tolliver and Sammy Landers Icons
Shango Galleries play house at Art in the Park, May 22, 2010.

For more insider news, event reviews, and artist bios check us out on
Facebook, Twitter, and Art Trak.

Please e-mail us at
kim@arttrak.com for price requests or just to say ‘hello’!

Shango Galleries
6717 Spring Valley Road
Dallas, TX 75254
972-239-4620

Sunday, April 25, 2010

Bernard Ewell and Park West - You Decide


Fine Art Registry has won round one in an ongoing dispute with Michigan based Park West Gallery and their experts. Whatever your take on who is right and who is wrong there will be important lessons that the art world can take away from this dispute. In my judgment this will be a win for everyone except the parties to the lawsuit. Park West is a huge company that has much to lose. Art Registry's credibility is on the line. The appraisers involved could potentially be tainted with this win or lose for the rest of their careers. For those that have done their job and still have been impacted negatively we all as professionals can empathize. For those that have cut the corners for their own self interest then maybe we will have a few less bad players in the field. Regardless we should listen and learn.

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